Despite a very varied taste in music and lots of favorites - one of my all time greatest musical hero must be the legendary HANK WILLIAMS, Sr. His "white man's blues" - the simple hillbilly/country & western style made a great impact on me when I first heard him. Those heart-rending love-sick laments and his painful voice just touched something inside of me and told me that Hank Williams was somebody special.
When he died, just 29 years old, on New Year's Day in 1953, from a combination of alcohol and the pain killers he had used for years to ease the cronic pain of a congenital spine defect, he was already a legend.
Hank Williams was the first country singer and songwriter whose songs consistently crossed over to the pop music audience, heartfelt songs like "Your Cheatin' Heart" and "Cold, Cold Heart" and "I'm So Lonesome I Could Cry," with such undeniable emotional appeal that they transcend time and place and audience. Almost everybody, it seemed, could identify with the suffering that Hank Williams packed into a two-and-a-half-minute blues song. What everyone didn't know, as it turned out, was that Williams was privately suffering most of what he sang about so convincingly.
He was raised in the most abject poverty in Alabama; he had an absentee father and a domineering mother and an equally domineering first wife. He was the first Cadillac cowboy. Yet he never believed he had earned the astonishing success that was his; he felt success had been forced upon him, a bitter pill to be choked down daily. The pull Hank felt between God and Satan showed in his recordings: he recorded Saturday night "sin" songs; his alter ego, "Luke the Drifter," recorded Sunday morning messages of hope. In the end, Saturday night won the battle, and Hank lost it on a combination of drugs and alcohol.
HANK WILLIAMS' RELEASED RECORDINGS/SONGS:
The first records made by Hank Williams were on the Sterling record label. Since there were no professional recording studios in Nashville, Tennessee, at the time (about 1946) these were all cut directly onto acetate discs at the WSM radio studios and were released on 78 RPM, 10" shellac records. The musicians were basically the Oklahoma Cowboys (now the Willis Brothers) Guy, Vic, and Skeeter Willis, and Chuck "the Indian" on bass. At times other musicians were added to this basic group.
When Hank Williams went to MGM records, MGM also took the Sterling masters which were later included in MGM albums. Most of the first MGM records were recorded in a Cincinnati studio, except those which were already on Sterling masters. Hank recorded his first session after he formed his Drifting Cowboys band in Nashville, and all following sessions at Castle Recording Studios in the old Tulane Hotel at Eighth Ave. and Church St. (Now removed.)
NOTE 2010: TIME-LIFE HAVE THE NEXT BOX SET SCHEDULED FOR RELEASE SEPTEMBER 28th, 2010. "THE COMPLETE MOTHER'S BEST...PLUS!" (TL 17039) - incl. the "radio" (storage for the CD's) pictured above. Press the dial button, and Hank will be "on the air"... The set is a deluxe version comprised of 15 CD's & 1 DVD. The set will contain ALL the Mother's Best material (with guests and commercials), one aborted show, the Aunt Jemima Show #1, "Stars In Her Eyes" VD PSA, and the DVD released with the Sam's Club special ed, 108-page booklet, etc. The number of outlets to order from will initially be minimal. Time-Life advised "The goal here is to get as many people to sign up as possible for the ultimate direct to consumer sales of the box set." Pre-ordering (active for US residents only) & more info: HANK WILLIAMS - THE COMPLETE MOTHER'S BEST...PLUS! Price US$199.99 + P&P & with exclusive free offers! Pre-ordering (active for US residents only): THE ERNEST TUBB RECORD SHOP Price US$199.98 - orders received before Oct. 1st receive free shipping within the US. Pre-ordering (active for Canadian residents only): RHINO RECORDS CANADA Price CAD$214.95 + P&P (?). Pre-ordering (active for European customers): BEAR FAMILY RECORDS Price 165 EUR + P&P. The European edition comes with an exclusive 12"x12" jigsaw puzzle!
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NOTE: Recordings in beige are not included in "The Complete Hank Williams" 10-CD box (Mercury 314 536 077-2).
ALABAMA WALTZ, The #1 (Hank Williams) (Ca. 1949) - demo, Nashville - vocal & guitar (Polydor 825 554-1 Y-2 - track D6) - Track 2 on Disc 9 of "The Complete Hank Williams"
BABY WE'RE REALLY IN LOVE #2 (Hank Williams) (Aug 10 1951) - studio recording (MGM 11100) - Track 6 on Disc 4 of "The Complete Hank Williams"
CALIFORNIA ZEPHYR #1 (Hank Williams) (Ca. 1951) - demo, Nashville - vocal & guitar (Polydor 825 554-1 Y-2 - track A4) - Track 1 on Disc 8 of "The Complete Hank Williams"
DEAR BROTHER #1 (Hank Williams) (1948) - from KWKH-Shreveport radio transcription - with Kitty Wells and Johnny Wright (Mercury 314 536 077-2 - Track 19 on Disc 7)
EVERYTHING'S OKAY #1 (Hank Williams) (Jan 10 1950) - issued as "Luke the Drifter" (MGM 10718) - Track 4 on Disc 3 of "The Complete Hank Williams"
FADED LOVE AND WINTER ROSES #1 (Fred Rose) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 11928) - Track 2 on Disc 6 of "The Complete Hank Williams"
GATHERING FLOWERS FOR THE MASTER'S BOUQUET #1 (Marvin Baumgardner) (1951) - from Mother's Best Flour transcriptions #2-A1 (Time-Life 24922-D) - Track 16 on Disc 1, (Time-Life 25265-D) - Track 10
HALF AS MUCH #1 (Curley Williams) (Aug 10 1951) - studio recording (MGM 11202) - Track 4 on Disc 4 of "The Complete Hank Williams"
I AIN'T GONNA LOVE YOU ANY MORE (Ernest Tubb) (Ca. 1942) - demo recorded at Griffin's Radio Shop, Montgomery (Mercury 314 536 077-2 - Track 5 on Disc 5)
JAMBALAYA (ON THE BAYOU) #1 (Hank Williams) (Ca. 1952) - demo, Nashville - vocal & guitar (CMF-006 - track A1) - Track 13 on Disc 8 of "The Complete Hank Williams"
KAW-LIGA #1 (Hank Williams/Fred Rose) (Aug 1952) - demo, Nashville - vocal & guitar (Mercury 314 536 077-2 - Track 15 on Disc 8)
ALABAMA WALTZ, The #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #1-B2 (Time-Life 24922-D) - Track 4 on Disc 3
ALL THE LOVE I EVER HAD (Hank Williams) (Oct 25 1951) - demo, Nashville - vocal & guitar (Polydor 847 194) - Track 18 on Disc 8 of "The Complete Hank Williams"
ALONE AND FORSAKEN (Hank Williams) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12029) - Track 14 on Disc 7 of "The Complete Hank Williams"
ALONE AND FORSAKEN (Hank Williams) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
ANGEL OF DEATH (Hank Williams) (Ca. 1951) - 1 of 3 alternative demo takes, Nashville - vocal & guitar (MGM 11861)
ANGEL OF DEATH (Hank Williams) (Ca. 1951) - 1 of 3 alternative demo takes, Nashville - vocal & guitar (Polydor 831 634 Y-2/1)
ANGEL OF DEATH (Hank Williams) (Ca. 1951) - 1 of 3 alternative demo takes, Nashville - vocal & guitar (Mercury 314 536 077-2 - Track 17 on Disc 8)
ANGEL OF DEATH (Hank Williams) (Ca. 1951) - (as above, but with additional instr. overdubbed with The Drifting Cowboys in 1953)
ANGEL OF DEATH (Hank Williams) (Ca. 1951) - (as above, but with additional instr. overdubbed - stereo)
ARE YOU BUILDING A TEMPLE IN HEAVEN - see "Home In Heaven, A"
ARE YOU WALKIN' AND A TALKIN' FOR THE LORD #1 (Hank Williams) (1951) - from Aunt Jemima's Pancake Mix radio show #2 (feat. Minnie Pearl) (Mercury 314 536 077-2 - Track 21 on Disc 9)
ARE YOU WALKIN' AND A TALKIN' FOR THE LORD #2 (Hank Williams) (Ca. 1952) - demo, Nashville - vocal & guitar, with unknown singer (Mercury 314 536 077-2 - Track 12 on Disc 9)
ARE YOU WALKIN' AND A TALKIN' FOR THE LORD #2 (Hank Williams) (Ca. 1952) - (as above, but with additional instr. overdubbed)
ARE YOU WALKIN' AND A TALKIN' FOR THE LORD #2 (Hank Williams) (Ca. 1952) - (as above, but with additional instr. incl. piano overdubbed - stereo)
ARE YOU WALKIN' AND A TALKIN' FOR THE LORD #3 (Hank Williams) - the Bailes Brothers on backup (Mercury or later Tower Records)
AT THE CROSS (1951) - from Mother's Best Flour transcriptions #11-A2 (Time-Life 24922-D) - Track 9 on Disc 2, (Time-Life 25265-D) - Track 9
AT THE FIRST FALL OF SNOW #1 (Lorene Rose) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12077) - Track 7 on Disc 6 of "The Complete Hank Williams"
AT THE FIRST FALL OF SNOW #1 (Lorene Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
AT THE FIRST FALL OF SNOW #2 (Lorene Rose) (1951) - from Mother's Best Flour transcriptions #6-A2 (Time-Life 80025-D) - Track 11 on Disc 1
BABY WE'RE REALLY IN LOVE #2 (Hank Williams) (Aug 10 1951) - (as above, but with additional instr. overdubbed - stereo)
BABY WE'RE REALLY IN LOVE #2 (Hank Williams) (Aug 10 1951) - (as above, but with additional instr. & string section overdubbed - stereo)
BABY WE'RE REALLY IN LOVE #3 (Hank Williams) (Apr 5 1952) - from the AFRS Opry Show #223 (MGM 15019) - Track 17 on Disc 10 of "The Complete Hank Williams"
BATTLE OF ARMAGEDDON, The (Roy Acuff/Odell McLeod) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12127) - Track 14 on Disc 6 of "The Complete Hank Williams"
BATTLE OF ARMAGEDDON, The (Roy Acuff/Odell McLeod) (Jan/May 1949) - (as above, but with additional instr. overdubbed)
BATTLE OF ARMAGEDDON, The (Roy Acuff/Odell McLeod) (Jan/May 1949) - (as above, but with additional instr. incl. piano overdubbed - stereo)
BE CAREFUL OF STONES THAT YOU THROW (Bonnie Dodd) (Jul 11 1952) - studio recording - issued as "Luke the Drifter" (MGM 11309) - Track 16 on Disc 4 of "The Complete Hank Williams"
BE CAREFUL OF STONES THAT YOU THROW (Bonnie Dodd) (Jul 11 1952) - (as above, but with additional instr. overdubbed - stereo)
BE CAREFUL OF STONES THAT YOU THROW (Bonnie Dodd) (Jul 11 1952) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
BEAUTIFUL HOME (H. W. Elliott/Emmett S. Dean) (1951) - from Mother's Best Flour transcriptions #14-A2 (Time-Life 24922-D) - Track 1 on Disc 2, (Time-Life 25265-D) - Track 1
BEYOND THE SUNSET (Blanche Kerr Brock/Virgil P. Brock/Albert Kennedy Rowswell) (Jan 10 1950) - studio recording - issued as "Luke the Drifter" (MGM 10630) - Track 2 on Disc 3 of "The Complete Hank Williams"
BEYOND THE SUNSET (Blanche Kerr Brock/Virgil P. Brock/Albert Kennedy Rowswell) (Jan 10 1950) - (as above, but with additional instr. overdubbed - stereo)
BLIND CHILD'S PRAYER, The (Ida B. Mercer) (1951) - from Mother's Best Flour transcriptions #1-A1 (Time-Life 80025-D) - Track 13 on Disc 1
BLUE EYES CRYING IN THE RAIN #1 (Fred Rose) (1951) - from Mother's Best Flour transcriptions #3-B1 (Time-Life 80023-D) - Track 1, (Time-Life 80025-D) - Track 1 on Disc 1
BLUE LOVE (IN MY HEART) (Floyd D. Jenkins a.k.a. Fred Rose) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12332) - Track 10 on Disc 6 of "The Complete Hank Williams"
BLUE LOVE (IN MY HEART) (Floyd D. Jenkins a.k.a. Fred Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
BLUES COME AROUND, The (Hank Williams) (Nov 7 1947) - studio recording (MGM 10212) - Track 21 on Disc 1 of "The Complete Hank Williams"
BLUES COME AROUND, The (Hank Williams) (Nov 7 1947) - (as above, but with additional instr. overdubbed - stereo)
CALIFORNIA ZEPHYR #1 (Hank Williams) (Ca. 1951) - (as above, but with additional instr. overdubbed - stereo)
CALIFORNIA ZEPHYR #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #13-A2 (Time-Life 80026-D) - Track 10 on Disc 2
CALLING YOU #1 (Hank Williams) (Dec 11 1946) - studio recording (Sterling 201) - Track 1 on Disc 1 of "The Complete Hank Williams"
CALLING YOU #2 (Hank Williams) (1947 - 1948) - demo - vocal & guitar (Mercury 314 536 077-2 - Track 14 on Disc 5)
CALLING YOU #3 (Hank Williams) - demo - falsetto-type accompaniment to Hank (CMF-007 - track A3)
CALLING YOU #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #3-B2 (Time-Life 24922-D) - Track 5 on Disc 2, (Time-Life 25265-D) - Track 5
CHEROKEE BOOGIE (Moon Mullican/Chief William Redbird) (1951) - from Mother's Best Flour transcriptions #14-A2 (Time-Life 80026-D) - Track 4 on Disc 2
COLD, COLD HEART #1 (Hank Williams) (Dec 21 1950) - studio recording (MGM 10904) - Track 10 on Disc 3 of "The Complete Hank Williams"
COLD, COLD HEART #1 (Hank Williams) (Dec 21 1950) - (as above, but with additional instr. overdubbed - stereo)
COLD, COLD HEART #1 (Hank Williams) (Dec 21 1950) - (as above, but with additional instr. & string section overdubbed - stereo)
COLD, COLD HEART #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #5-B2 (Time-Life 24922-D) - Track 1 on Disc 1, (Time-Life 25256-D) - Track 1
COLD, COLD HEART #5 (Hank Williams) - from Aunt Jemima's Pancake Mix radio show #1 (Time-Life 80027-D) - Track 3 on Disc 3
COLD, COLD HEART #7 (Hank Williams) (Sep 22 1951) - from the AFRS Opry Show #197 (Mercury 546 466-2 - Track 10 on Disc 1)
COLD, COLD HEART #8 (Hank Williams) (Mar 22 1952) - from the AFRS Opry Show (Mercury 314 536 077-2 - Track 16 on Disc 10)
COOL WATER #1 (Bob Nolan) (Jan/May 1949) - from Johnny Fair Syrup Radio Show Transcription (Mercury 314 536 077-2 - Track 2 on Disc 7)
COOL WATER #1 (Bob Nolan) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
COOL WATER #2 (Bob Nolan) (1951) - from Mother's Best Flour transcriptions #5-A2 (Time-Life 80026-D) - Track 7 on Disc 2
CRAZY HEART #1 (Fred Rose/Maurice Murray) (Jul 25 1951) - studio recording (MGM 11054) - Track 3 on Disc 4 of "The Complete Hank Williams"
CRAZY HEART #1 (Fred Rose/Maurice Murray) (Jul 25 1951) - (as above, but with additional instr. overdubbed - stereo)
CRAZY HEART #1 (Fred Rose/Maurice Murray) (Jul 25 1951) - (as above, but with additional instr. & string section overdubbed - stereo)
CRAZY HEART #2 (Fred Rose/Maurice Murray) (Jul 25 1951) - studio recording - alternate take (MGM EP X1014) and later (Polydor 823 695-1 Y-2)
CRAZY HEART #3 (Fred Rose/Maurice Murray) (Sep 29 1951) - from Grand Ole Opry Show (Anthology of Country Music ACM-3)
CRAZY HEART #4 (Fred Rose/Maurice Murray) (undated 1951)- from Grand Ole Opry Show (Creative Sounds SSI 7538)
DEAR BROTHER #2 (Hank Williams) (Mar 1 1949) - studio recording - with Audrey Williams (MGM 10434) - Track 8 on Disc 2 of "The Complete Hank Williams"
DEAR BROTHER #5 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #9-A2 (Time-Life 24922-D) Track 7 on Disc 2
DEAR JOHN #1 (Aubry Gass) (Dec 21 1950) - studio recording (MGM 10904) - Track 11 on Disc 3 of "The Complete Hank Williams"
DEAR JOHN #1 (Aubry Gass) (Dec 21 1950) - (as above, but with additional instr. overdubbed - stereo)
DEAR JOHN #1 (Aubry Gass) (Dec 21 1950) - (as above, but with additional instr. & string section overdubbed - stereo)
DEAR JOHN #2 (Aubry Gass) (May 5 1951) - from the AFRS Opry Show #175 (MGM 15019) - Track 12 on Disc 10 of "The Complete Hank Williams"
DEAR JOHN #3 (Aubry Gass) - live version with different lyrics (Creative Sounds SSI 7538)
DEAR JOHN #6 (Aubry Gass) (1951) - from Mother's Best Flour transcriptions Feb. 23, 1951 (Time-Life 80025-D) - Track 12 on Disc 1
DECK OF CARDS (T. Texas Tyler) (1951) - from Mother's Best Flour transcriptions #9-A1 (Time-Life 24922-D) - Track 6 on Disc 3
DEVIL'S TRAIN, The - b (Mel Foree/Cliff Carlisle) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, but overdubbed Apr 20 1960 (MGM E-3850) - Track 12 on Disc 7 of "The Complete Hank Williams"
DIXIE CANNONBALL (Gene Autry/Red Foley/Vaughn Horton) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 10 on Disc 7)
DIXIE CANNONBALL (Gene Autry/Red Foley/Vaughn Horton) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
DON'T DO IT DARLING (Zeke Manners) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 6 on Disc 6)
DRIFTING TOO FAR FROM THE SHORE #1 (Charles Moody) (1951) - from Mother's Best Flour transcriptions #10-A2 (Time-Life 80024-D), (Time-Life 80025-D) - Track 17 on Disc 1
DRIFTING TOO FAR FROM THE SHORE #2 (Charles Moody) (Apr 4 1952) - radio performance (Mercury 314 536 077-2 - Track 26 on Disc 9)
DUST ON THE BIBLE (Johnny Bailes/Walter Bailes) (1951) - from Mother's Best Flour transcriptions #151 (Time-Life 80023-D) - Track 3, (Time-Life 80024-D), (Time-Life 80025-D) - Track 2 on Disc 1
EVERYTHING'S OKAY #1 (Hank Williams) (Jan 10 1950) - (as above, but with additional instr. overdubbed - stereo)
EVERYTHING'S OKAY #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #2-B1 (Time-Life 24922-D) - Track 1 on Disc 3
FADED LOVE AND WINTER ROSES #1 (Fred Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
FADED LOVE AND WINTER ROSES #2 (Fred Rose) (1951) - from Mother's Best Flour transcriptions #7-A1 (Time-Life 24922-D) Track 5 on Disc 3
FARTHER ALONG #1 (Rev. W. B. Stevens) (1951) - from Mother's Best Flour transcriptions #7-A2 (Time-Life 80024-D)
FARTHER ALONG #2 (Rev. W. B. Stevens) (1951) - from Mother's Best Flour transcriptions #15-A2 (Time-Life 24922-D) Track 4 on Disc 2
FIRST YEAR BLUES (Ernest Tubb) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 4 on Disc 7)
FIRST YEAR BLUES (Ernest Tubb) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
FLY TROUBLE (Honey Wilds/Bunny Biggs/Fred Rose) (Aug 4 1947) - studio recording (MGM 10073) - Track 13 on Disc 1 of "The Complete Hank Williams"
FLY TROUBLE (Honey Wilds/Bunny Biggs/Fred Rose) (Aug 4 1947) - (as above, but with additional instr. overdubbed - stereo)
FOOL ABOUT YOU (Ralph C. Hutcheson) (Ca. 1951) - demo, Nashville - vocal & guitar (Polydor 2391-519 (UK) - track B2) - Track 11 on Disc 8 of "The Complete Hank Williams"
FOOL ABOUT YOU (Ralph C. Hutcheson) (Ca. 1951) - (as above, but with additional instr. overdubbed #1)
FOOL ABOUT YOU (Ralph C. Hutcheson) (Ca. 1951) - (as above, but with additional instr. overdubbed #2 - stereo)
FREIGHT TRAIN BLUES (Traditional, arranged by Roy Acuff) (Late 1940) - pseudo radio station recording (Mercury 314 536 077-2 - Track 2 on Disc 5)
FROM JERUSALEM TO JERICHO (W. M. Robison) (1951) - from Mother's Best Flour transcriptions #14-A1 (Time-Life 80026-D) - Track 6 on Disc 2 (Released October 28th, 2008)
FUNERAL, The #1 (words, Public Domain; music, Hank Williams) (Jan 10 1950) - studio recording - issued as "Luke the Drifter" (MGM 10630) - Track 3 on Disc 3 of "The Complete Hank Williams"
FUNERAL, The #1 (words, Public Domain; music, Hank Williams) (Jan 10 1950) - (as above, but with additional instr. overdubbed - stereo)
GATHERING FLOWERS FOR THE MASTER'S BOUQUET #2 (Marvin Baumgardner) (1951) - from Mother's Best Flour transcriptions #8-A1 (Time-Life 80024-D), (Time-Life 80026-D) - Track 13 on Disc 2
GREAT JUDGEMENT MORNING, THE (Rev. Bert Shaddock/L. L. Pickett) (1951) - from Mother's Best Flour transcriptions #14-B1 (Time-Life 80025-D) - Track 9 on Disc 1
HALF AS MUCH #1 (Curley Williams) (Aug 10 1951) - (as above, but with additional instr. overdubbed - stereo)
HALF AS MUCH #1 (Curley Williams) (Aug 10 1951) - (as above, but with additional instr. & string section overdubbed - stereo)
HALF AS MUCH #3 (Curley Williams) (Jul 05 1952) - from AFRS Opry Show #236 (Mercury 546 466-2 - Track 19 on Disc 1)
HAPPY ROVIN' COWBOY #1 (Bob Nolan) (1939 - 1940) - make-believe radio recording (Mercury 314 536 077-2 - Track 1 on Disc 5)
HAPPY ROVIN' COWBOY #2 (Bob Nolan) (Oct 1949) - theme from the Health & Happiness Show No.1
HAPPY ROVIN' COWBOY #3 (Bob Nolan) (Oct 1949) - theme from the Health & Happiness Show No.2
HAPPY ROVIN' COWBOY #4 (Bob Nolan) (Oct 1949) - theme from the Health & Happiness Show No.3
HAPPY ROVIN' COWBOY #5 (Bob Nolan) (Oct 1949) - theme from the Health & Happiness Show No.4
HAPPY ROVIN' COWBOY #6 (Bob Nolan) (Oct 1949) - theme from the Health & Happiness Show No.5
HAPPY ROVIN' COWBOY #7 (Bob Nolan) (Oct 1949) - theme from the Health & Happiness Show No.6
HAPPY ROVIN' COWBOY #8 (Bob Nolan) (Oct 1949) - theme from the Health & Happiness Show No.7
HAPPY ROVIN' COWBOY #9 (Bob Nolan) (Oct 1949) - theme from the Health & Happiness Show No.8
HAVE I TOLD YOU LATELY THAT I LOVE YOU (Gene Autry/S. Wiseman) (1951) - from Mother's Best Flour transcriptions #156 (Time-Life 80023-D) - Track 4, (Time-Life 80027-D) - Track 4 on Disc 3, (Reader's Digest) - Disc 4
HEAVEN HOLDS ALL MY TREASURES (Hank Williams) (Aug 1948 - May 1949) - demo or radio performance, Shreveport - vocal & guitar (CMF-006 - track A2) - Track 15 on Disc 7 of "The Complete Hank Williams"
HELP ME UNDERSTAND #1 (Hank Williams) - demo - vocal & guitar - contains an extra verse (CMF-006 track B2)
HELP ME UNDERSTAND #2 (Hank Williams) (Aug 31 1950) - studio recording (MGM 10806) - Track 8 on Disc 3 of "The Complete Hank Williams"
HELP ME UNDERSTAND #2 (Hank Williams) (Aug 31 1950) - (as above, but with additional instr. overdubbed - stereo)
HELP ME UNDERSTAND #3 (Hank Williams) (Fall 1950) - from the March Of Dimes Show - with Audrey Williams (Mercury 314 536 077-2 - Track 18 on Disc 9)
HEY, GOOD LOOKIN' #1 (Hank Williams) (Mar 16 1951) - studio recording (MGM 11000) - Track 16 on Disc 3 of "The Complete Hank Williams"
HEY, GOOD LOOKIN' #1 (Hank Williams) (Mar 16 1951) - (as above, but with additional instr. overdubbed - stereo)
HEY, GOOD LOOKIN' #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #12-B2 (Time-Life 80023-D) - Track 12, (Time-Life 80025-D) - Track 6 on Disc 1
HEY, GOOD LOOKIN' #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #157 (Time-Life 24922-D) - Track 5 on Disc 1
HEY, GOOD LOOKIN' #5 (Hank Williams) (Sep 22 1951) - from the AFRS Opry Show #197 (MGM 15019) - Track 13 on Disc 10 of "The Complete Hank Williams"
HOME IN HEAVEN, A #1 (Hank Williams) (1947 - 1948) - demo - overdub - first named "Are You Building A Temple In Heaven" (MGM E-3850 or E-3955)
HOME IN HEAVEN, A #2 (Hank Williams) (1947 - 1948) - demo - vocal & guitar (Arhoolie EP 548)
HOME IN HEAVEN, A #3 (Hank Williams) (1947 - 1948) - demo - vocal & guitar - (Mercury 314 536 077-2 - Track 18 on Disc 5)
HOME IN HEAVEN, A #4 (Hank Williams) (Mar 23 1951) - studio recording - with Audrey Williams (MGM 12394) - Track 19 on Disc 3 of "The Complete Hank Williams"
HONEY, DO YOU LOVE ME, HUH (Hank Williams/Curley Williams) (Aug 1948 - May 1949) - demo or radio performance, Shreveport - with Curley Williams & band (Mercury 314 536 077-2 - Track 24 on Disc 7)
HONKY TONK BLUES #2 (Hank Williams) (1947 - 1948) - demo - vocal & guitar (CMF-006 - track B1) - Track 17 on Disc 5 of "The Complete Hank Williams"
HONKY TONK BLUES #3 (Hank Williams) (Mar 1 or 2 1949) - studio recording (Polydor 823 695) - Track 10 on Disc 2 of "The Complete Hank Williams"
HONKY TONK BLUES #6 (Hank Williams) (Dec 11 1951) - studio recording (MGM 11160) - Track 8 on Disc 4 of "The Complete Hank Williams"
HONKY TONK BLUES #6 (Hank Williams) (Dec 11 1951) - (as above, but with additional instr. overdubbed - stereo)
HONKY TONK BLUES #6 (Hank Williams) (Dec 11 1951) - (as above, but with additional instr. & string section overdubbed - stereo)
HONKY TONK BLUES #7 (Hank Williams) (Mar 22 1952) - from the AFRS Opry Show #221 (Mercury 314 536 077-2 - Track 14 on Disc 10)
HONKY TONKIN' #1 (Hank Williams) (Feb 13 1947) - studio recording (Sterling 210) - Track 7 on Disc 1 of "The Complete Hank Williams"
HONKY TONKIN' #2 (Hank Williams) (Nov 6 1947) - studio recording (MGM 10171) - Track 19 on Disc 1 of "The Complete Hank Williams"
HONKY TONKIN' #2 (Hank Williams) (Nov 6 1947) - (as above, but with additional instr. overdubbed - stereo)
HONKY TONKIN' #3 (Hank Williams) (Jul 12 1952) - radio performance (Mercury 314 536 077-2 - Track 22 on Disc 9)
HOUSE OF GOLD, A #1 (Hank Williams) (Aug 1948 - May 1949) - demo or radio performance, Shreveport - vocal & guitar (Polydor 833 752) - Track 17 on Disc 7 of "The Complete Hank Williams"
HOUSE OF GOLD, A #1 (Hank Williams) (Aug 1948 - May 1949) - (as above, but with additional instr. overdubbed with The Drifting Cowboys in 1953)
HOUSE OF GOLD, A #1 (Hank Williams) (Aug 1948 - May 1949) - (as above, but with additional instr. overdubbed - stereo)
HOUSE OF GOLD, A #2 (Hank Williams) - demo - more interesting lyrics (CMF-006 track A6)
HOUSE OF GOLD, A #3 (Hank Williams) - demo - only two verses and only one chorus, and diff. key (Mercury or later Tower Records)
HOUSE WITHOUT LOVE, A (Hank Williams) (Aug 30 1949) - studio recording (MGM 10696) - Track 17 on Disc 2 of "The Complete Hank Williams"
HOUSE WITHOUT LOVE, A (Hank Williams) (Aug 30 1949) - (as above, but with additional instr. overdubbed - stereo)
HOUSE WITHOUT LOVE, A (Hank Williams) (Aug 30 1949) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
HOW CAN YOU REFUSE HIM NOW #1 (Hank Williams) (Ca. 1950) - demo, Nashville - vocal & guitar (Polydor 833 749) - Track 4 on Disc 8 of "The Complete Hank Williams"
HOW CAN YOU REFUSE HIM NOW #1 (Hank Williams) (Ca. 1950) - (as above, but with additional instr. & vcl. overdubbed with The Drifting Cowboys in 1953)
HOW CAN YOU REFUSE HIM NOW #1 (Hank Williams) (Ca. 1950) - (as above, but with additional instr. & vcl. overdubbed - stereo)
HOW CAN YOU REFUSE HIM NOW #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #1-A2 (Time-Life 24922-D) - Track 2 on Disc 2, (Time-Life 25265-D) - Track 2
HOWLIN' AT THE MOON (Hank Williams) (Mar 16 1951) - studio recording (MGM 10961) - Track 15 on Disc 3 of "The Complete Hank Williams"
HOWLIN' AT THE MOON (Hank Williams) (Mar 16 1951) - (as above, but with additional instr. overdubbed - stereo)
HOWLIN' AT THE MOON (Hank Williams) (Mar 16 1951) - (as above, but with additional instr. & string section overdubbed - stereo)
I AIN'T GOT NOTHIN' BUT TIME (Hank Williams) (Ca. 1952) - demo, Nashville - vocal & guitar (Polydor 825 548-1 Y-2 - track D6) - Track 9 on Disc 8 of "The Complete Hank Williams"
I AIN'T GOT NOTHIN' BUT TIME (Hank Williams) (Ca. 1952) - (as above, but with additional instr. overdubbed with The Drifting Cowboys in 1953)
I CAN'T ESCAPE FROM YOU #1 (Hank Williams) (Ca. 1951) - demo, Nashville - vocal & guitar (Polydor 831 634-1 Y-2 - track C4) - Track 10 on Disc 9 of "The Complete Hank Williams"
I CAN'T ESCAPE FROM YOU #1 (Hank Williams) (Ca. 1951) - (as above, but with additional instr. overdubbed with The Drifting Cowboys in 1953)
I CAN'T ESCAPE FROM YOU #1 (Hank Williams) (Ca. 1951) - (as above, but with additional instr. overdubbed - stereo)
I CAN'T ESCAPE FROM YOU #2 (Hank Williams) - live version with the Drifting Cowboys. The lyrics are close to #1 (Creative Sounds SSI 7538)
I CAN'T GET YOU OFF OF MY MIND #1 (Hank Williams) (Nov 6 1947) - studio recording MGM 10328) - Track 17 on Disc 1 of "The Complete Hank Williams"
I CAN'T GET YOU OFF OF MY MIND #1 (Hank Williams) (Nov 6 1947) - (as above, but with additional instr. overdubbed - stereo)
I CAN'T GET YOU OFF OF MY MIND #2 (Hank Williams) (Oct 1949) - from the Health and Happiness Show No.8
I CAN'T HELP IT (IF I'M STILL IN LOVE WITH YOU) #1 (Hank Williams) (Mar 16 1951) - studio recording (MGM 10961) - Track 14 on Disc 3 of "The Complete Hank Williams"
I CAN'T HELP IT (IF I'M STILL IN LOVE WITH YOU) #1 (Hank Williams) (Mar 16 1951) - (as above, but with additional instr. overdubbed - stereo)
I CAN'T HELP IT (IF I'M STILL IN LOVE WITH YOU) #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #08-A1 (Time-Life 80026-D) - Track 1 on Disc 2
I CAN'T HELP IT (IF I'M STILL IN LOVE WITH YOU) #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #158 (Time-Life 24922-D) - Track 6 on Disc 1
I CAN'T HELP IT (IF I'M STILL IN LOVE WITH YOU) #6 (Hank Williams) (Apr 05 1952) - from the AFRS Opry Show #223 (Track 17 on Disc 1)
I CAN'T HELP IT (IF I'M STILL IN LOVE WITH YOU) #7 (Hank Williams) (Apr 23 1952) - from the Kate Smith Evening Show - with Anita Carter (Mercury 314 536 077-2 - Track 24 on Disc 10)
I CAN'T TELL MY HEART THAT (Jim & Jack Anglin/Johnnie Wright) (1951) - from Mother's Best Flour transcriptions #13-B2 (Time-Life 80025-D) - Track 8 on Disc 1
I COULD NEVER BE ASHAMED OF YOU #1 (Hank Williams) (Aug 1952) - demo, Nashville - vocal & guitar (Mercury 314 536 077-2 - Track 16 on Disc 8)
I COULD NEVER BE ASHAMED OF YOU #2 (Hank Williams) (Sep 23 1952) - studio recording (MGM 11366) - Track 18 on Disc 4 of "The Complete Hank Williams"
I CRIED AGAIN (Autry Inman) (Apr 1952) - radio performance - with band (Mercury 314 536 077-2 - Track 23 on Disc 9)
I DON'T CARE (IF TOMORROW NEVER COMES) (Hank Williams) (Feb 13 1947) - studio recording (Sterling 208) - Track 5 on Disc 1 of "The Complete Hank Williams"
I DON'T CARE (IF TOMORROW NEVER COMES) (Hank Williams) (Feb 13 1947) - (as above, but with additional instr. overdubbed - stereo)
I DON'T CARE (IF TOMORROW NEVER COMES) (Hank Williams) (Feb 13 1947) - (as above, but with additional instr. & string section overdubbed - stereo)
I DREAMED ABOUT MAMA LAST NIGHT #1 (Fred Rose) (Jun 1 1951) - studio recording - issued as "Luke the Drifter" (MGM 11017) - Track 23 on Disc 3 of "The Complete Hank Williams"
I DREAMED ABOUT MAMA LAST NIGHT #1 (Fred Rose) (Jun 1 1951) - (as above, but with additional instr. overdubbed - stereo)
I DREAMED ABOUT MAMA LAST NIGHT #3 (Fred Rose) (1951) - from Mother's Best Flour transcriptions #11-B1 (Time-Life 24922-D) - Track 13 on Disc 3
I HANG MY HEAD AND CRY (Fred Rose/Gene Autry/Ray Whitley) (1951) - from Mother's Best Flour transcriptions #11-A2 (Time-Life 24922-D) - Track 8 on Disc 3
I HEARD MY MOTHER PRAYING FOR ME #1 (Audrey Williams) (Dec 22 1948) - studio recording - with Audrey Williams (MGM 10813) - Track 5 on Disc 2 of "The Complete Hank Williams"
I HEARD MY SAVIOR CALLING ME #2 (Johnnie Bailes/Z. Clements/M. D. Wright) (1951) - from Mother's Best Flour transcriptions #11-B1 (Time-Life 24922-D) - Track 15 on Disc 3
I HEARD MY SAVIOR CALLING ME #3 (Johnnie Bailes/Z. Clements/M. D. Wright) (1951) - from Mother's Best Flour transcriptions #147 (Time-Life 80025-D) - Track 4 on Disc 1, (Reader's Digest) - Disc 4
(I HEARD THAT) LONESOME WHISTLE #1 (Hank Williams/Jimmie Davis) (Jul 25 1951) - studio recording (MGM 11054) - Track 2 on Disc 4 of "The Complete Hank Williams"
(I HEARD THAT) LONESOME WHISTLE #1 (Hank Williams/Jimmie Davis) (Jul 25 1951) - (as above, but with additional instr. overdubbed - stereo)
(I HEARD THAT) LONESOME WHISTLE #1 (Hank Williams/Jimmie Davis) (Jul 25 1951) - (as above, but with additional instr. & string section overdubbed - stereo)
(I HEARD THAT) LONESOME WHISTLE #2 (Hank Williams/Jimmie Davis) (1951) - from Mother's Best Flour transcriptions #13-B1 (Time-Life 24922-D) Track 3 on Disc 1
I JUST DON'T LIKE THIS KIND OF LIVIN' #1 (Hank Williams) (Aug 30 1949) - studio recording (MGM 10609) - Track 18 on Disc 2 of "The Complete Hank Williams"
I JUST DON'T LIKE THIS KIND OF LIVIN' #1 (Hank Williams) (Aug 30 1949) - (as above, but with additional instr. overdubbed - stereo)
I JUST DON'T LIKE THIS KIND OF LIVIN' #1 (Hank Williams) (Aug 30 1949) - (as above, but with additional instr. & string section overdubbed - stereo)
I JUST DON'T LIKE THIS KIND OF LIVIN' #2 (Hank Williams) (Feb 18 1950) - from the AFRS Opry Show #116 (MGM 15019) - Track 4 on Disc 10 of "The Complete Hank Williams"
I JUST DON'T LIKE THIS KIND OF LIVIN' #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #5-B1 (Time-Life 24922-D) Track 10 on Disc 1
I SAW THE LIGHT #1 (Hank Williams) (Apr 21 1947) - studio recording (MGM 10271) - Track 10 on Disc 1 of "The Complete Hank Williams"
I SAW THE LIGHT #1 (Hank Williams) (Apr 21 1947) - (as above, but with additional instr. overdubbed - stereo)
I SAW THE LIGHT #2 (Hank Williams) (Oct 1949) - from the Health & Happiness Show No.6 - with Don Helms & Hillous Butrum
I SAW THE LIGHT #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #150 (Time-Life 24587), (Time-Life 24922-D) - Track 15 on Disc 2
I TOLD A LIE TO MY HEART (Hank Williams) (1947 - 1948) - demo - vocal & guitar (CMF-007 track B4) - Track 9 on Disc 5 of "The Complete Hank Williams"
I WANT TO LIVE AND LOVE (Gene Sullivan/Wiley Walker) (Oct. 1949) - from the Health and Happiness Show No.4 - with Audrey Williams (MGM E-3999) - Track 21 on Disc 10 of "The Complete Hank Williams"
I WANT TO LIVE AND LOVE (Gene Sullivan/Wiley Walker) (Oct. 1949) - (as above, but with additional instr. overdubbed - stereo)
I WATCHED MY DREAM WORLD CRUMBLE LIKE CLAY (Hank Williams) (1947 - 1948) - demo - vocal & guitar (CMF-007 track B1) - Track 8 on Disc 5 of "The Complete Hank Williams"
I WISH I HAD A NICKEL (W.S.Barnhart/Tommy Sutton) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12244) - Track 5 on Disc 6 of "The Complete Hank Williams"
I WISH I HAD A NICKEL (W.S.Barnhart/Tommy Sutton) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
I WON'T BE HOME NO MORE (Hank Williams) (Jul 11 1952) - studio recording (MGM 11533) - Track 15 on Disc 4 of "The Complete Hank Williams"
I WON'T BE HOME NO MORE (Hank Williams) (Jul 11 1952) - (as above, but with additional instr. overdubbed - stereo)
I WON'T BE HOME NO MORE (Hank Williams) (Jul 11 1952) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
I'D STILL WANT YOU #1 (Hank Williams) (Jul 25 1951) - studio recording (MGM 11100) - Track 1 on Disc 4 of "The Complete Hank Williams"
I'D STILL WANT YOU #1 (Hank Williams) (Jul 25 1951) - (as above, but with additional instr. overdubbed - stereo)
I'D STILL WANT YOU #2 (Hank Williams) (Aug 10 1951) - studio recording (Polydor 823 695) - Track 5 on Disc 4 of "The Complete Hank Williams"
IF I DIDN'T LOVE YOU (Hank Williams) (1951) - from Mother's Best Flour transcriptions #12-A2 - with recitation by Louie Buck (Time-Life 80027-D) - Track 17 on Disc 3
IF YOU'LL BE A BABY TO ME (Hank Williams) (Ca. 1952) - demo, Nashville - vocal & guitar (Polydor 825 557-1 Y-2 - track C3) - Track 13 on Disc 9 of "The Complete Hank Williams"
IF YOU'LL BE A BABY TO ME (Hank Williams) (Ca. 1952) - (as above, but with additional instr. overdubbed)
IF YOU'LL BE A BABY TO ME (Hank Williams) (Ca. 1952) - (as above, but with additional instr. incl. piano overdubbed - stereo)
I'LL BE A BACHELOR 'TIL I DIE (Hank Williams) (Nov 7 1947) - studio recording (MGM 10171) - Track 1 on Disc 2 of "The Complete Hank Williams"
I'LL BE A BACHELOR 'TIL I DIE (Hank Williams) (Nov 7 1947) - (as above, but with additional instr. overdubbed - stereo)
I'LL FLY AWAY #2 (Albert E. Brumley) (1951) - from Mother's Best Flour transcriptions #15-A1 (Time-Life 80027-D) - Track 2 on Disc 3
I'LL HAVE A NEW BODY (I'LL HAVE A NEW LIFE) #1 (Luther G. Presley) (Oct 1949) - from the Health and Happiness Show No.4 (MGM E-3999) - Track 20 on Disc 10 of "The Complete Hank Williams"
I'LL HAVE A NEW BODY (I'LL HAVE A NEW LIFE) #1 (Luther G. Presley) (Oct 1949) - (as above, but with additional instr. overdubbed - stereo)
I'LL HAVE A NEW BODY (I'LL HAVE A NEW LIFE) #5 (Luther G. Presley) (1951) - from Mother's Best Flour transcriptions #14-B2 (Time-Life 80023-D) - Track 5, (Time-Life 80025-D) - Track 14 on Disc 1, (Time-Life 25265-D) - Track 14
I'LL NEVER GET OUT OF THIS WORLD ALIVE (Hank Williams/Fred Rose) (Jun 13 1952) - studio recording (MGM 11366) - Track 13 on Disc 4 of "The Complete Hank Williams"
I'LL NEVER GET OUT OF THIS WORLD ALIVE (Hank Williams/Fred Rose) (Jun 13 1952) - (as above, but with additional instr. overdubbed - stereo)
I'LL NEVER GET OUT OF THIS WORLD ALIVE (Hank Williams/Fred Rose) (Jun 13 1952) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
I'LL SAIL MY SHIP ALONE (Henry Bernard/Morry Burns/S. Nathan/Henry Thurston) (1951) - from Mother's Best Flour transcriptions #14-B2 (Time-Life 80023-D) - Track 15, (Time-Life 80027-D) - Track 8 on Disc 3, (Time-Life 25265-D) - Track 12
I'M A LONG GONE DADDY #1 (Hank Williams) (Nov 6 1947) - studio recording (MGM 10212) - Track 18 on Disc 1 of "The Complete Hank Williams"
I'M A LONG GONE DADDY #1 (Hank Williams) (Nov 6 1947) - (as above, but with additional instr. overdubbed - stereo)
I'M A LONG GONE DADDY #2 (Hank Williams) (Oct 1949) - from the Health & Happiness Show No.3
I'M A LONG GONE DADDY #3 (Hank Williams) (Feb 21 1950) - live from the "Farmer Jim" tapes (Mercury 314 536 077-2 - Track 16 on Disc 9)
I'M BOUND FOR THE PROMISED LAND (Dr. Samuel Stennett) (1951) - from Mother's Best Flour transcriptions #13-B1 (Time-Life 24922-D) - Track 6 on Disc 2, (Time-Life 25265-D) - Track 6
I'M FREE AT LAST (Ernest Tubb) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Polydor 825 554-1 Y-2 - track B3) - Track 9 on Disc 6 of "The Complete Hank Williams"
I'M FREE AT LAST (Ernest Tubb) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
I'M GOING HOME #1 (Hank Williams) (1947 - 1948) - demo - vocal & guitar (Arhoolie EP 548)
(I'M) GOIN' HOME #2 (Hank Williams) (Spring 1949) - demo - with band (Mercury 314 536 077-2 - Track 13 on Disc 5)
I'M GOING HOME #3 (Hank Williams) (Ca. 1950) - demo, Nashville - vocal & guitar (Mercury 314 536 077-2 - Track 12 on Disc 8)
I'M GOING HOME #3 (Hank Williams) (Ca. 1950) - (as above, but with additional instr. overdubbed)
I'M GOING HOME #3 (Hank Williams) (Ca. 1950) - (as above, but with additional instr. incl. piano overdubbed - stereo)
(I'M GONNA) SING, SING, SING #1 (Hank Williams) (Summer 1950) - demo, Nashville - vocal & guitar (Mercury 314 536 077-2 - Track 9 on Disc 9)
(I'M GONNA) SING, SING, SING #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptionsMB #09-B1 (Time-Life 80025-D) - Track 18 on Disc 1
I'M NOT COMING HOME ANYMORE (Hank Williams) (Apr 7 1942) - demo recorded at Griffin's Radio Shop, Mongomery (Polydor 847 194) - Track 4 on Disc 5 of "The Complete Hank Williams"
I'M SATISFIED WITH YOU (Fred Rose) (Aug 4 1947) - studio recording (MGM 11768) - Track 14 on Disc 1 of "The Complete Hank Williams"
I'M SATISFIED WITH YOU (Fred Rose) (Aug 4 1947) - (as above, but with additional instr. overdubbed - stereo)
I'M SO LONESOME I COULD CRY #1 (Hank Williams) (Aug 30 1949) - studio recording (MGM 10560) - Track 16 on Disc 2 of "The Complete Hank Williams"
I'M SO LONESOME I COULD CRY #1 (Hank Williams) (Aug 30 1949) - (as above, but with additional instr. overdubbed - stereo)
I'M SO LONESOME I COULD CRY #1 (Hank Williams) (Aug 30 1949) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
I'M SO LONESOME I COULD CRY #2 (Hank Williams) (Oct 1949) - from the Health & Happiness Show No.8
I'M SO LONESOME I COULD CRY #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #147 (Time-Life 80025-D) - Track 3 on Disc 1, (Reader's Digest) - Disc 4
I'M SO TIRED OF IT ALL (Hank Williams) (1947) - demo - with band (Mercury 314 536 077-2 - Track 20 on Disc 5 of "The Complete Hank Williams")
I'M SORRY FOR YOU MY FRIEND #2 (Hank Williams) (Dec 11 1951) - studio recording (MGM 11160) - Track 7 on Disc 4 of "The Complete Hank Williams"
I'M SORRY FOR YOU MY FRIEND #2 (Hank Williams) (Dec 11 1951) - (as above, but with additional instr. overdubbed - stereo)
I'M SORRY FOR YOU MY FRIEND #2 (Hank Williams) (Dec 11 1951) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
IN MY DREAMS YOU STILL BELONG TO ME (Hank Williams) (1947 - 1948) - demo - vocal & guitar (Arhoolie EP 548) - Track 11 on Disc 5 of "The Complete Hank Williams"
IT JUST DON'T MATTER NOW (Ernest Tubb) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Polydor 827 531) - Track 11 on Disc 6 of "The Complete Hank Williams"
IT JUST DON'T MATTER NOW (Ernest Tubb) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
I'VE BEEN DOWN THAT ROAD BEFORE #1 (Hank Williams) (Jun 1 1951) - studio recording - issued as "Luke the Drifter" (MGM 11017) - Track 22 on Disc 3 of "The Complete Hank Williams"
I'VE BEEN DOWN THAT ROAD BEFORE #1 (Hank Williams) (Jun 1 1951) - (as above, but with additional instr. overdubbed - stereo)
I'VE BEEN DOWN THAT ROAD BEFORE #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #13-A1 (Time-Life 24922-D) - Track 10 on Disc 3
I'VE GOT MY ONE-WAY TICKET TO THE SKY (Johnnie Bailes/Walter Bailes) (1951) - from Mother's Best Flour transcriptions #13-A1 (Time-Life 80026-D) - Track 8 on Disc 2
I'VE JUST TOLD MAMA GOODBYE #1 (Slim Sweet/Curley Kinsey) (Mar 20 1949) - studio recording (MGM 10401) - Track 15 on Disc 2 of "The Complete Hank Williams"
I'VE JUST TOLD MAMA GOODBYE #1 (Slim Sweet/Curley Kinsey) (Mar 20 1949) - (as above, but with additional instr. overdubbed - stereo)
I'VE JUST TOLD MAMA GOODBYE #2 (Slim Sweet/Curley Kinsey) (Oct 1949) - from the Health & Happiness Show No.7
I'VE JUST TOLD MAMA GOODBYE #3 (Slim Sweet/Curley Kinsey) (1951) - from Mother's Best Flour transcriptions #3-B1 (Time-Life 24922-D) - Track 2 on Disc 3
JAMBALAYA (ON THE BAYOU) #2 (Hank Williams) (Jun 13 1952) - studio recording (MGM 11283) - Track 11 on Disc 4 of "The Complete Hank Williams"
JAMBALAYA (ON THE BAYOU) #2 (Hank Williams) (Jun 13 1952) - (as above, but with additional instr. overdubbed - stereo)
JAMBALAYA (ON THE BAYOU) #3 (Hank Williams) (Jul 05 1952)- from AFRS Opry Show #236 (Mercury 546 466-2 - Track 18 on Disc 1)
JESUS DIED FOR ME #1 (Hank Williams) (Fall 1949) - demo, Nashville - vocal & guitar (Polydor 825 551 Y-2/2)
JESUS DIED FOR ME #2 (Hank Williams) (Fall 1949) - demo, Nashville - vocal & guitar - with Audrey Williams (Mercury 314 536 077-2 - Track 3 on Disc 9)
JESUS DIED FOR ME #2 (Hank Williams) (Fall 1949) - (as above, but with additional instr. overdubbed)
JESUS DIED FOR ME #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions (Feb. 21, 1951) (Time-Life 24922-D) - Track 8 on Disc 2, (Time-Life 25265-D) - Track 8
JESUS IS CALLING (Hank Williams/Charlie Monroe) (Spring 1951) - demo, Nashville - vocal & guitar (Mercury 314 536 077-2 - Track 5 on Disc 9)
JESUS IS CALLING (Hank Williams/Charlie Monroe) (Spring 1951) - (as above, but with additional instr. overdubbed)
JESUS IS CALLING (Hank Williams/Charlie Monroe) (Spring 1951) - (as above, but with additional instr. incl. piano overdubbed - stereo)
JESUS REMEMBERED ME #1 (Hank Williams) (Mar 1 1949) - studio recording - with Audrey Williams (MGM 10813) - Track 9 on Disc 2 of "The Complete Hank Williams"
JUST WAITIN' #1 (Hank Williams/Bob Gazzaway) (Dec 21 1950) - studio recording - issued as "Luke the Drifter" (MGM 10932) - Track 12 on Disc 3 of "The Complete Hank Williams"
JUST WAITIN' #1 (Hank Williams/Bob Gazzaway) (Dec 21 1950) - (as above, but with additional instr. overdubbed - stereo)
JUST WAITIN' #1 (Hank Williams/Bob Gazzaway) (Dec 21 1950) - (as above, but with additional instr. & string section overdubbed - stereo)
JUST WAITIN' #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #14-A1 (Time-Life 24922-D) Track 7 on Disc 3
JUST WHEN I NEEDED YOU #2 (Clyde Baum/Jack Anglin/Johnnie Wright) (1951) - from Mother's Best Flour transcriptions#10-B1 (Time-Life 80026-D) - Track 12 on Disc 2
KAW-LIGA #2 (Hank Williams/Fred Rose) (Sep 23 1952) - studio recording (MGM 11416) - Track 20 on Disc 4 of "The Complete Hank Williams"
KAW-LIGA #2 (Hank Williams/Fred Rose) (Sep 23 1952) - (as above, but with additional instr. overdubbed - stereo)
KAW-LIGA #2 (Hank Williams/Fred Rose) (Sep 23 1952) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
LAST NIGHT I DREAMED OF HEAVEN (Hank Williams) (Ca. 1950) - demo, Nashville - vocal & guitar (Polydor 831 633-1 Y-2 - track C4) - Track 8 on Disc 8 of "The Complete Hank Williams"
LAST NIGHT I DREAMED OF HEAVEN (Hank Williams) (Ca. 1950) - (as above, but with additional instr. overdubbed)
LAST NIGHT I DREAMED OF HEAVEN (Hank Williams) (Ca. 1950) - (as above, but with additional instr. incl. piano overdubbed - stereo)
(LAST NIGHT) I HEARD YOU CRYING IN YOUR SLEEP (Hank Williams) (Apr 21 1947) - studio recording (MGM 10033) - Track 11 on Disc 1 of "The Complete Hank Williams"
(LAST NIGHT) I HEARD YOU CRYING IN YOUR SLEEP (Hank Williams) (Apr 21 1947) - (as above, but with additional instr. overdubbed - stereo)
(LAST NIGHT) I HEARD YOU CRYING IN YOUR SLEEP (Hank Williams) (Apr 21 1947) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
LEAVE ME ALONE WITH THE BLUES (Joe Pope) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12484) - Track 6 on Disc 8 of "The Complete Hank Williams"
LEAVE ME ALONE WITH THE BLUES (Joe Pope) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
LET THE SPIRIT DESCEND (J.M.Purdom) (Mar 22 1952) - from the AFRS Opry Show (Mercury 314 536 077-2 - Track 15 on Disc 10)
LET'S TURN BACK THE YEARS (Hank Williams) (Dec 11 1951) - studio recording (MGM 11202) - Track 9 on Disc 4 of "The Complete Hank Williams"
LET'S TURN BACK THE YEARS (Hank Williams) (Dec 11 1951) - (as above, but with additional instr. overdubbed - stereo)
LET'S TURN BACK THE YEARS (Hank Williams) (Dec 11 1951) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
LITTLE PAPER BOY (Jim Anglin/Johnny Wright) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Polydor 823 695) - Track 12 on Disc 6 of "The Complete Hank Williams"
LOG TRAIN, The (Hank Williams) (Dec 3 1952) - demo, Nashville - vocal & guitar (Time-Life TLCW-01 - track F6) - Track 20 on Disc 8 of "The Complete Hank Williams"
LONELY TOMBS #2 (John Ellis) (1951) - from Mother's Best Flour transcriptions #158 (Time-Life 24922-D) - Track 15 on Disc 2
LONELY TOMBS #3 (John Ellis) (1951) - from Mother's Best Flour transcriptions (Feb. 22, 1951) (Time-Life 80026-D) - Track 18 on Disc 2
LONG GONE LONESOME BLUES #1 (Hank Williams) (Jan 9 1950) - studio recording (MGM 10645) - Track 21 on Disc 2 of "The Complete Hank Williams"
LONG GONE LONESOME BLUES #1 (Hank Williams) (Jan 9 1950) - (as above, but with additional instr. overdubbed - stereo)
LONG GONE LONESOME BLUES #1 (Hank Williams) (Jan 9 1950) - (as above, but with additional instr. & string section overdubbed - stereo)
LONG GONE LONESOME BLUES #2 (Hank Williams) (Feb 21 1950) - live from the "Farmer Jim" tapes (Mercury 314 536 077-2 - Track 17 on Disc 9)
LONG GONE LONESOME BLUES #3 (Hank Williams) (Jun 10 1950) - from the AFRS Opry Show (MGM 15019) - Track 7 on Disc 10 of "The Complete Hank Williams"
LONG GONE LONESOME BLUES #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions (Feb. 22, 1951) (Time-Life 24922-D) - Track 4 on Disc 1
LONG GONE LONESOME BLUES #5 (Hank Williams) (Jul 05 1952)- from Grand Ole Opry Show (Mercury 546 466-2 - Track 21 on Disc 1)
LORD, BUILD ME A CABIN IN THE CORNER OF GLORYLAND (1951) - from Mother's Best Flour transcriptions #1-B2 (Time-Life 24922-D) - Track 3 on Disc 2, (Time-Life 25265-D) - Track 3
LOST HIGHWAY #1 (Leon Payne) (Mar 1 1949) - studio recording (MGM 10506) - Track 6 on Disc 2 of "The Complete Hank Williams"
LOST HIGHWAY #1 (Leon Payne) (Mar 1 1949) - (as above, but with additional instr. overdubbed - stereo)
LOST HIGHWAY #1 (Leon Payne) (Mar 1 1949) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
LOST HIGHWAY #2 (Leon Payne) (Oct 1949) - from the Health and Happiness Show No.4
LOST HIGHWAY #3 (Leon Payne) (Feb 21 1950) - live from the "Farmer Jim" tapes (Mercury 314 536 077-2 - Track 15 on Disc 9)
LOST ON THE RIVER #1 (Hank Williams) (Aug 1948 - May 1949) - demo or radio performance, Shreveport - vocal & guitar (CMF-006 - track A4) - Track 16 on Disc 7 of "The Complete Hank Williams"
LOST ON THE RIVER #2 (Hank Williams) (Dec 22 1948) - studio recording - with Audrey Williams (MGM 10434) - Track 4 on Disc 2 of "The Complete Hank Williams"
LOVESICK BLUES #1 (Cliff Friend/Irving Mills) (Dec 22 1948) - studio recording (MGM 10352) - Track 3 on Disc 2 of "The Complete Hank Williams"
LOVESICK BLUES #1 (Cliff Friend/Irving Mills) (Dec 22 1948) - (as above, but with additional instr. overdubbed - stereo)
LOVESICK BLUES #1 (Cliff Friend/Irving Mills) (Jan/May 1949) - (as above, but with additional instr. & string section overdubbed - stereo)
LOVESICK BLUES #3 (Cliff Friend/Irving Mills) (Jun 18 1949) - from AFRS Opry Show #80 (Mercury 314 536 077-2 - Track 1 on Disc 10)
LOVESICK BLUES #4 (Cliff Friend/Irving Mills) (Oct 1949) - from the Health & Happiness Show No.1
LOVESICK BLUES #5 (Cliff Friend/Irving Mills) (Oct 1949) - from the Health & Happiness Show No.6
LOVESICK BLUES #7 (Cliff Friend/Irving Mills) (Feb. 18 1950) - from the AFRS Opry Show #116
LOVESICK BLUES #8 (partly as intro) (Cliff Friend/Irving Mills) (Dec., 1950) - from March of Dimes transcription 1951
LOVESICK BLUES #13 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #02-A1 (Time-Life 24922-D) - Track 13 on Disc 1
LOVESICK BLUES #39 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #08-B1 (Reader's Digest SSFLM06790-4)
LOVESICK BLUES #51 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #11-B1 (Time-Life 24922-D) - Track 12 on Disc 3
LOVESICK BLUES #64 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #14-B2 (Time-Life 25265-D) - Track 11
LOVESICK BLUES #68 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #147 (Reader's Digest SSFLM06790-4)
LOVESICK BLUES #69 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #150 (Time-Life 24922-D) - Track 12 on Disc 2
LOVESICK BLUES #71 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #156 (Reader's Digest SSFLM06790-4)
LOW AND LONELY (Floyd D. Jenkins a.k.a. Fred Rose) (1951) - from Mother's Best Flour transcriptions #11-B2 (Time-Life 80025-D) - Track 16 on Disc 1
LOW DOWN BLUES (Hank Williams) (Ca. 1952) - demo, Nashville - vocal & guitar (Polydor 831 633-1 Y-2 - track B6) - Track 5 on Disc 8 of "The Complete Hank Williams"
LOW DOWN BLUES (Hank Williams) (Ca. 1952) - (as above, but with additional instr. overdubbed with The Drifting Cowboys in 1953)
LOW DOWN BLUES (Hank Williams) (Ca. 1952) - (as above, but with additional instr. overdubbed - stereo)
MANSION ON THE HILL, A #1 (Hank Williams/Fred Rose) (Nov 7 1947) - studio recording (MGM 10328) - Track 22 on Disc 1 of "The Complete Hank Williams"
MANSION ON THE HILL, A #1 (Hank Williams/Fred Rose) (Nov 7 1947) - (as above, but with additional instr. overdubbed - stereo)
MANSION ON THE HILL, A #1 (Hank Williams/Fred Rose) (Nov 7 1947) - (as above, but with additional instr., & string section & chorus overdubbed - stereo)
MANSION ON THE HILL, A #2 (Hank Williams/Fred Rose) (Oct 1949) - from the Health & Happiness Show No.5
MANSION ON THE HILL, A #4 (Hank Williams/Fred Rose) (1951) - from Mother's Best Flour transcriptions #2-A2 (Time-Life 24922-D) - Track 8 on Disc 1
MAY YOU NEVER BE ALONE #1 (Hank Williams) (Mar 1 1949) - studio recording (MGM 10609) - Track 7 on Disc 2 of "The Complete Hank Williams"
MAY YOU NEVER BE ALONE #1 (Hank Williams) (Mar 1 1949) - (as above, but with additional instr. overdubbed - stereo)
MAY YOU NEVER BE ALONE #1 (Hank Williams) (Mar 1 1949) - (as above, but with additional instr., & string section overdubbed - stereo)
MAY YOU NEVER BE ALONE #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #04-B2 (Time-Life 80026-D) - Track 16 on Disc 2
MEN WITH BROKEN HEARTS (Hank Williams) (Dec 21 1950) - studio recording - issued as "Luke the Drifter" (MGM 10932) - Track 13 on Disc 3 of "The Complete Hank Williams"
MEN WITH BROKEN HEARTS (Hank Williams) (Dec 21 1950) - (as above, but with additional instr. overdubbed - stereo)
MEN WITH BROKEN HEARTS (Hank Williams) (Dec 21 1950) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
MESSAGE TO MY MOTHER (Hank Williams) (Ca. 1950) - demo, Nashville - vocal & guitar (Polydor 831 634-1 Y-2 - track C5) - Track 10 on Disc 8 of "The Complete Hank Williams"
MIND YOUR OWN BUSINESS #1 (Hank Williams) (Mar 1 or 2 1949) - studio recording (MGM 10461) - Track 11 on Disc 2 of "The Complete Hank Williams"
MIND YOUR OWN BUSINESS #1 (Hank Williams) (Mar 1 or 2 1949) - (as above, but with additional instr. overdubbed - stereo)
MIND YOUR OWN BUSINESS #1 (Hank Williams) (Mar 1 or 2 1949) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
MIND YOUR OWN BUSINESS #3 (Hank Williams) (Oct 1949) - from the Health & Happiness Show No.7
MIND YOUR OWN BUSINESS #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #04-B1 (Time-Life 80027-D) - Track 10 on Disc 3
MIND YOUR OWN BUSINESS #5 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #146 (Time-Life 24922-D) - Track 12 on Disc 1
MOANIN' THE BLUES #1 (Hank Williams) (Aug 31 1950) - studio recording (MGM 10832) - Track 7 on Disc 3 of "The Complete Hank Williams"
MOANIN' THE BLUES #1 (Hank Williams) (Aug 31 1950) - (as above, but with additional instr. overdubbed - stereo)
MOANIN' THE BLUES #1 (Hank Williams) (Aug 31 1950) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
MOANIN' THE BLUES #2 (Hank Williams) (Nov 11 1950) - from the AFRS Opry Show (MGM 15019) - Track 10 on Disc 10 of "The Complete Hank Williams"
MOANIN' THE BLUES #3 (Hank Williams) (Dec., 1950) - from March of Dimes Show - transcription ET 16" YTNY 14217
MOANIN' THE BLUES #4 (Hank Williams) (Jan 06 1951) - from the AFRS Opry Show #158 (Mercury 546 466-2 - Track 7 on Disc 1)
MOANIN' THE BLUES #6 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #11-A1 (Time-Life 24922-D) Track 9 on Disc 1
MOTHER IS GONE #1 (Hank Williams) (1947 - 1948) - demo - vocal & guitar (Arhoolie EP 548)
MOTHER IS GONE #2 (Hank Williams) (1947 - 1948) - demo - vocal & guitar (CMF-007 - track A6) - Track 10 on Disc 5 of "The Complete Hank Williams"
MOTHER IS GONE #3 (Hank Williams) (1947 - 1948) - demo - overdub - slight melodic diff. (MGM E-3955)
MOVE IT ON OVER #1 (Hank Williams) (Apr 21 1947) - studio recording (MGM 10033) - Track 9 on Disc 1 of "The Complete Hank Williams"
MOVE IT ON OVER #1 (Hank Williams) (Apr 21 1947) - (as above, but with additional instr. overdubbed - stereo)
MOVE IT ON OVER #1 (Hank Williams) (Apr 21 1947) - (as above, but with additional instr. & string section overdubbed - stereo)
MOVE IT ON OVER #2 (Hank Williams) (Nov 18 1949) - from the AFRS Opry Show in Europe (Mercury 314 536 077-2 - Track 2 on Disc 10)
MOVE IT ON OVER #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #3-A1 (Time-Life 24922-D) - Track 2 on Disc 1
MY BUCKET'S GOT A HOLE IN IT #1 (Clarence Williams) (Aug 30 1949) - studio recording (acetate) - vocal & guitar (Mercury 314 536 077-2 - Track 19 on Disc 2)
MY BUCKET'S GOT A HOLE IN IT #2 (Clarence Williams) (Aug 30 1949) - studio recording (MGM 10560) - Track 20 on Disc 2 of "The Complete Hank Williams"
MY BUCKET'S GOT A HOLE IN IT #2 (Clarence Williams) (Aug 30 1949) - (as above, but with additional instr. & string section overdubbed - stereo)
MY HEART WOULD KNOW (Hank Williams) (Mar 16 1951) - studio recording (MGM 11000) - Track 17 on Disc 3 of "The Complete Hank Williams"
MY HEART WOULD KNOW (Hank Williams) (Mar 16 1951) - (as above, but with additional instr. overdubbed - stereo)
MY HEART WOULD KNOW (Hank Williams) (Mar 16 1951) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
MY LOVE FOR YOU (HAS TURNED TO HATE) (Hank Williams) (Feb 13 1947) - studio recording (Sterling 208) - Track 6 on Disc 1 of "The Complete Hank Williams"
MY LOVE FOR YOU (HAS TURNED TO HATE) (Hank Williams) (Feb 13 1947) - (as above, but with additional instr. overdubbed - stereo)
MY MAIN TRIAL IS YET TO COME (Pee Wee King/J.L.Frank) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 5 on Disc 7 of "The Complete Hank Williams")
MY MAIN TRIAL IS YET TO COME (Pee Wee King/J.L.Frank) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, but dubbed - Time Life TLCW-01/3 (1981)
MY SON CALLS ANOTHER MAN DADDY #1 (Hank Williams/Jewell House) (Mar 1 or 2 1949) - studio recording (Polydor 823 695) - Track 13 on Disc 2 of "The Complete Hank Williams"
MY SON CALLS ANOTHER MAN DADDY #2 (Hank Williams/Jewell House) (Jan 9 1950) - studio recording (MGM 10645) - Track 24 on Disc 2 of "The Complete Hank Williams"
MY SON CALLS ANOTHER MAN DADDY #2 (Hank Williams/Jewell House) (Jan 9 1950) - (as above, but with additional instr. overdubbed - stereo)
MY SWEET LOVE AIN'T AROUND #1 (Hank Williams) (Nov 7 1947) - studio recording (MGM 10124) - Track 20 on Disc 1 of "The Complete Hank Williams"
MY SWEET LOVE AIN'T AROUND #1 (Hank Williams) (Nov 7 1947) - (as above, but with additional instr. overdubbed - stereo)
MY SWEET LOVE AIN'T AROUND #1 (Hank Williams) (Nov 7 1947) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
MY SWEET LOVE AIN'T AROUND #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #150 (Time-Life 24922-D) - Track 13 on Disc 2
'NEATH A COLD GRAY TOMB OF STONE #1 (Hank Williams/Mel Foree) (Aug 1948 - May 1949) - demo or radio performance, Shreveport - with band (Polydor 827 531) - Track 20 on Disc 7 of "The Complete Hank Williams"
'NEATH A COLD GRAY TOMB OF STONE #2 (Hank Williams/Mel Foree) (Ca. 1950) - demo, Nashville - vocal & guitar (CMF-006 - track B3) - Track 14 on Disc 9 of "The Complete Hank Williams"
NEVER AGAIN (WILL I KNOCK ON YOUR DOOR) (Hank Williams) (Dec 11 1946) - studio recording (Sterling 201) - Track 2 on Disc 1 of "The Complete Hank Williams"
NEVER AGAIN (WILL I KNOCK ON YOUR DOOR) (Hank Williams) (Dec 11 1946) - (as above, but with additional instr. overdubbed - stereo)
NEXT SUNDAY, DARLING, IS MY BIRTHDAY (S. Nathan/A. Smith) (1951) - from Mother's Best Flour transcriptions #9-A1 (Time-Life 80025-D) - Track 10 on Disc 1
NO, NO, JOE (Fred Rose) (Aug 31 1950) - studio recording - issued as "Luke the Drifter" (MGM 10806) - Track 9 on Disc 3 of "The Complete Hank Williams"
NO, NOT NOW (Hank Williams/Mel Foree/Curley Williams) (Aug 1948 - May 1949) - demo or radio performance, Shreveport - with Curley Williams (Polydor 2391-519 (UK) - track A8) - Track 22 on Disc 7 of "The Complete Hank Williams"
NO ONE WILL EVER KNOW (Mel Foree/Fred Rose) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12535) - Track 22 on Disc 7 of "The Complete Hank Williams"
NO ONE WILL EVER KNOW (Mel Foree/Fred Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
NOBODY'S LONESOME FOR ME #1 (Hank Williams) (Aug 31 1950) - studio recording (MGM 10832) - Track 6 on Disc 3 of "The Complete Hank Williams"
NOBODY'S LONESOME FOR ME #1 (Hank Williams) (Aug 31 1950) - (as above, but with additional instr. overdubbed - stereo)
NOBODY'S LONESOME FOR ME #1 (Hank Williams) (Aug 31 1950) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
NOBODY'S LONESOME FOR ME #2 (Hank Williams) (Nov 11 1950) - from the AFRS Opry Show (MGM 15019) - Track 11 on Disc 10 of "The Complete Hank Williams"
NOBODY'S LONESOME FOR ME #3 (Hank Williams) (Jan 06 1951) - from the AFRS Opry Show #158 (Mercury 546 466-2 - Track 8 on Disc 1)
NOBODY'S LONESOME FOR ME #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #2-A1 (Time-Life 24922-D) - Track 14 on Disc 1
OLD COUNTRY CHURCH, The #1 (W.S.Stevenson o.b.o. John Whitfield Vaughn) - from Mother's Best Flour transcriptions #10-B2 (Time-Life 80024-D), (Time-Life 80026-D) - Track 15 on Disc 2
OLD COUNTRY CHURCH, The #2 (W.S.Stevenson o.b.o. John Whitfield Vaughn) (Apr 5 1952) - from the AFRS Show #223 - with "Little" Jimmy Dickens (Polydor 825 548-1 Y-2 - track D4) - Track 18 on Disc 10 of "The Complete Hank Williams"
OLD HOME, The - b (Jackie Earls) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, but overdubbed May 13 1959 (MGM E-3803) - Track 13 on Disc 7 of "The Complete Hank Williams"
ON THE BANKS OF THE OLD PONTCHARTRAIN #1 (Hank Williams/Ramona Vincent) (Aug 4 1947) - studio recording (MGM 10073) - Track 15 on Disc 1 of "The Complete Hank Williams"
ON THE BANKS OF THE OLD PONTCHARTRAIN #1 (Hank Williams/Ramona Vincent) (Aug 4 1947) - (as above, but with additional instr. overdubbed - stereo)
ON THE BANKS OF THE OLD PONTCHARTRAIN #2 (Hank Williams/Ramona Vincent) (1951) - from Mother's Best Flour transcriptions #3-B2 (Time-Life 80025-D) - Track 15 on Disc 1
ON TOP OF OLD SMOKY (Traditional) (1951) - from Mother's Best Flour transcriptions #8-B1 (Time-Life 80023-D) - Track 2, (Time-Life 80025-D) - Track 7 on Disc 1, (Reader's Digest) - Disc 4
PALE HORSE AND HIS RIDER, The #1 (Ervin Staggs/Johnny Bailes) (Mar 23 1951) - studio recording - with Audrey Williams (MGM 12394) - Track 18 on Disc 3 of "The Complete Hank Williams"
PALE HORSE AND HIS RIDER, The #2 (Ervin Staggs/Johnny Bailes) (1951) - from Mother's Best Flour transcriptions #12-B1 (Time-Life 80027-D) - Track 18 on Disc 3
PAN AMERICAN #1 (Hank Williams) (Dec 1946) - demo - vocal & guitar (CMF-007 - track A5) - Track 15 on Disc 5 of "The Complete Hank Williams"
PAN AMERICAN #2 (Hank Williams) (Feb 13 1947) - studio recording (Sterling 210) - Track 8 on Disc 1 of "The Complete Hank Williams"
PAN AMERICAN #2 (Hank Williams) (Feb 13 1947) - (as above, but with additional instr. overdubbed - stereo)
PAN AMERICAN #3 (Hank Williams) (Oct 1949) - from the Health & Happiness Show No.6
PICTURES FROM LIFE'S OTHER SIDE #1 (Hank Williams) (Jun 1 1951) - studio recording - issued as "Luke the Drifter" (MGM 11120) - Track 21 on Disc 3 of "The Complete Hank Williams"
PICTURES FROM LIFE'S OTHER SIDE #1 (Hank Williams) (Jun 1 1951) - (as above, but with additional instr. overdubbed - stereo)
PICTURES FROM LIFE'S OTHER SIDE #1 (Hank Williams) (Jun 1 1951) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
PICTURES FROM LIFE'S OTHER SIDE #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #9-B1 (Time-Life 80027-D) - Track 1 on Disc 3
PINS AND NEEDLES (IN MY HEART) (Floyd D. Jenkins a.k.a. Fred Rose) (1951) - from Mother's Best Flour transcriptions #4-A2 (Time-Life 80023-D) - Track 8, (Time-Life 80027-D) - Track 13 on Disc 3
PLEASE DON'T LET ME LOVE YOU (Ralph Jones) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 11928) - Track 3 on Disc 6 of "The Complete Hank Williams"
PLEASE DON'T LET ME LOVE YOU (Ralph Jones) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
PLEASE MAKE UP YOUR MIND (Hank Williams) (Jul 11 1952) - studio recording - issued as "Luke the Drifter" (MGM 11309) - Track 17 on Disc 4 of "The Complete Hank Williams"
PLEASE MAKE UP YOUR MIND (Hank Williams) (Jul 11 1952) - (as above, but with additional instr. overdubbed - stereo)
PRECIOUS LORD, TAKE MY HAND (Rev. Thomas A. Dorsey) (1951) - from Mother's Best Flour transcriptions #13-B2 (Time-Life 80025-D) - Track 5 on Disc 1
PRODIGAL SON, THE #1 (Floyd D. Jenkins a.k.a. Fred Rose) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, but overdubbed May 13 1959 (MGM E-3850)
PRODIGAL SON, THE #2 (Floyd D. Jenkins a.k.a. Fred Rose) (Oct 1949) - from the Health & Happiness Show No.5 (Polydor 831 633-1) - Track 23 on Disc 10 of "The Complete Hank Williams"
PRODIGAL SON, THE #2 (Floyd D. Jenkins a.k.a. Fred Rose) (Oct 1949) - (as above, but with additional instr. overdubbed - stereo)
PRODIGAL SON, THE #3 (Floyd D. Jenkins a.k.a. Fred Rose) (1951) - from Mother's Best Flour transcriptions #8-B1 (Time-Life 80023-D) - Track 13, (Time-Life 80026-D) - Track 3 on Disc 2, (Reader's Digest) - Disc 4
RAMBLIN' MAN (Hank Williams) (Jun 1 1951) - studio recording - issued as "Luke the Drifter" (MGM 11120) and reissued as Hank Williams (MGM 11479) - Track 20 on Disc 3 of "The Complete Hank Williams"
RAMBLIN' MAN (Hank Williams) (Jun 1 1951) - (as above, but with additional instr. overdubbed - stereo)
RAMBLIN' MAN (Hank Williams) (Jun 1 1951) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
READY TO GO HOME (Hank Williams) (Ca. 1951) - demo, Nashville - vocal & guitar (Polydor 833752, released 1987) - Track 14 on Disc 9 of "The Complete Hank Williams"
READY TO GO HOME (Hank Williams) (Ca. 1951) - (as above, but with verse 2 also dubbed in between verse 3 and 4) (Louisiana Hayride LP-973, bootleg released 1984)
READY TO GO HOME (Hank Williams) (Ca. 1951) - (as above, but with additional instr. overdubbed)
READY TO GO HOME (Hank Williams) (Ca. 1951) - (as above, but with additional instr. incl. piano overdubbed - stereo)
ROCK MY CRADLE ONCE AGAIN (Johnny Bond/Billy Folger) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Polydor 825 548-1 Y-2 - track D3) - Track 18 on Disc 6 of "The Complete Hank Williams"
ROCK MY CRADLE ONCE AGAIN (Johnny Bond/Billy Folger) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
ROCKIN' CHAIR MONEY (Lonnie Glosson/Bill Carlisle) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 1 on Disc 7)
ROCKIN' CHAIR MONEY (Lonnie Glosson/Bill Carlisle) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
ROLY POLY (Fred Rose) (Jan/May 1949) - demo or radio performance, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 8 on Disc 7)
ROLY POLY (Fred Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
ROOTIE TOOTIE (Fred Rose) (Nov 6 1947) - studio recording (MGM 10124) - Track 16 on Disc 1 of "The Complete Hank Williams"
ROOTIE TOOTIE (Fred Rose) (Nov 6 1947) - (as above, but with additional instr. overdubbed - stereo)
SAN ANTONIO ROSE (Bob Wills) (Late 1940) - pseudo radio station recording (Mercury 314 536 077-2 - Track 3 on Disc 5)
SEAMAN'S BLUES, The (Ernest Tubb/Talmadge Tubb) (1951) - from Mother's Best Flour transcriptions #3-A2 (Time-Life 80026-D) - Track 2 on Disc 2
SEARCHING FOR A SOLDIER'S GRAVE (Roy Acuff) (1951) - from Mother's Best Flour transcriptions #12-B2 (Time-Life 80023-D) - Track 9, (Time-Life 80026-D) - Track 9 on Disc 2
SETTIN' THE WOODS ON FIRE (Fred Rose/Ed Nelson) (Jun 13 1952) - studio recording (MGM 11318) - Track 12 on Disc 4 of "The Complete Hank Williams"
SETTIN' THE WOODS ON FIRE (Fred Rose/Ed Nelson) (Jun 13 1952) - (as above, but with additional instr. overdubbed - stereo)
SETTIN' THE WOODS ON FIRE (Fred Rose/Ed Nelson) (Jun 13 1952) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
SINGING WATERFALL #1 (Hank Williams) (Jan/May 1949) - demo or radio performance, Shreveport - vocal & guitar (MGM 12332) - Track 18 on Disc 7 of "The Complete Hank Williams"
SINGING WATERFALL #1 (Hank Williams) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
SINGING WATERFALL #2 (Hank Williams) - demo - alternate inferior in lyrics (CMF-007 - track B5)
SIX MORE MILES (TO THE GRAVEYARD)(Hank Williams) (Apr 21 1947) - studio recording (MGM 10271) - Track 12 on Disc 1 of "The Complete Hank Williams"
SIX MORE MILES (TO THE GRAVEYARD) (Hank Williams) (Apr 21 1947) - (as above, but with additional instr. overdubbed - stereo)
SOFTLY AND TENDERLY (Will L. Thompson) (1951) - from Mother's Best Flour transcriptions #13-A2 (Time-Life 80023-D) - Track 6, (Time-Life 80026-D) - Track 11 on Disc 2
SOMEDAY YOU'LL CALL MY NAME (Eddie Hill/Jean Branch) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12077) - Track 13 on Disc 6 of "The Complete Hank Williams"
SOMEDAY YOU'LL CALL MY NAME (Eddie Hill/Jean Branch) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
SOMEDAY YOU'LL CALL MY NAME (Eddie Hill/Jean Branch) (Jan/May 1949) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
SOMETHING GOT A HOLD OF ME #1 (A.P.Carter) (unknown date) - radio performance - with Audrey Williams (Polydor 831 633-1 Y-2 - track C5) - Track 25 on Disc 9 of "The Complete Hank Williams"
SOMETHING GOT A HOLD OF ME #2 (A.P.Carter) (1951) - from Mother's Best Flour transcriptions #3-A2 - with Audrey Williams (Time-Life 24922-D) Track 11 on Disc 2
SUNDOWN AND SORROW - b (Pee Wee King/J.L.Frank) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, but overdubbed May 13 1959 (MGM E-3803) - Track 11 on Disc 7 of "The Complete Hank Williams"
SWING WIDE YOUR GATE OF LOVE (Hank Thompson) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 9 on Disc 7 of "The Complete Hank Williams")
SWING WIDE YOUR GATE OF LOVE (Hank Thompson) (Jan/May 1949) - (as above, but with additional instr. overdubbed)
Medley: STEAL AWAY/FUNERAL, The #2 (words, Public Domain; music, Hank Williams) (1951) - from Mother's Best Flour transcriptions #11-B2 (Time-Life 24922-D) - Track 11 on Disc 3
TAKE THESE CHAINS FROM MY HEART (Fred Rose/Hy Heath) (Sep 23 1952) - studio recording (MGM 11479) - Track 21 on Disc 4 of "The Complete Hank Williams"
TAKE THESE CHAINS FROM MY HEART (Fred Rose/Hy Heath) (Sep 23 1952) - (as above, but with additional instr. overdubbed - stereo)
TEARDROP ON A ROSE, A (Hank Williams) (Ca. 1952) - demo, Nashville - vocal & guitar (Polydor 833 749) - Track 4 on Disc 9 of "The Complete Hank Williams"
TEARDROP ON A ROSE, A (Hank Williams) (Ca. 1952) - (as above, but with Hank's voice is sped up slightly to "sweeten" the sound and with additional instr. overdubbed with The Drifting Cowboys in 1953. Very diff. from later dubs). MGM 12029
TEARDROP ON A ROSE, A (Hank Williams) (Ca. 1952) - (as above, but with additional instr. overdubbed)
TEARDROP ON A ROSE, A (Hank Williams) (Ca. 1952) - (as above, but with additional instr. incl. piano overdubbed - stereo)
TEN LITTLE NUMBERS (Juanita Acuff) (Summer 1951) - demo, Nashville - vocal & guitar (Mercury 314 536 077-2 - Track 6 on Disc 8)
TENNESSEE BORDER #1 (Jimmie Work) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 3 on Disc 7)
TENNESSEE BORDER #1 (Jimmie Work) (Jan/May 1949) - (as above, but with additional instr. overdubbed)
TENNESSEE BORDER #2 (Jimmie Work) (1951) - from Mother's Best Flour transcriptions #9-A2 (Time-Life 80023-D) - Track 10, (Time-Life 80027-D) - Track 14 on Disc 3
THANK GOD (Fred Rose) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12127) - Track 17 on Disc 6 of "The Complete Hank Williams"
THANK GOD (Fred Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
THERE'LL BE NO TEARDROPS TONIGHT #1 (Hank Williams) (Dec 22 1948) - studio recording (MGM 10461) - Track 2 on Disc 2 of "The Complete Hank Williams"
THERE'LL BE NO TEARDROPS TONIGHT #1 (Hank Williams) (Dec 22 1948) - (as above, but with additional instr. overdubbed - stereo)
THERE'LL BE NO TEARDROPS TONIGHT #1 (Hank Williams) (Dec 22 1948) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
THERE'LL BE NO TEARDROPS TONIGHT #2 (Hank Williams) (Oct 1949) - from the Health & Happiness Show No.5
THERE'S A TEAR IN MY BEER (Hank Williams) (Oct 25 1951) - demo, Nashville - vocal & guitar (Polydor 847 194) - Track 1 on Disc 9 of "The Complete Hank Williams"
THERE'S NO ROOM IN MY HEART FOR THE BLUES (Fred Rose/Zeb Turner)(Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12244) - Track 4 on Disc 6 of "The Complete Hank Williams"
THERE'S NO ROOM IN MY HEART FOR THE BLUES (Fred Rose/Zeb Turner) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
THERE'S NOTHING AS SWEET AS MY BABY #1 (Hank Williams) (Ca. 1950) - demo, Nashville - vocal & guitar (CMF-006 - track B4) - Track 8 on Disc 9 of "The Complete Hank Williams"
THERE'S NOTHING AS SWEET AS MY BABY #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #7-B2 (Time-Life 80023-D) - Track 7, (Time-Life 80027-D) - Track 15 on Disc 3
THEY'LL NEVER TAKE HER LOVE FROM ME #1 (Leon Payne) (Jun 14 1950) - studio recording (MGM 10760) - Track 5 on Disc 3 of "The Complete Hank Williams"
THEY'LL NEVER TAKE HER LOVE FROM ME #1 (Leon Payne) (Jun 14 1950) - (as above, but with additional instr. overdubbed - stereo)
THEY'LL NEVER TAKE HER LOVE FROM ME #1 (Leon Payne) (Jun 14 1950) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
THEY'LL NEVER TAKE HER LOVE FROM ME #2 (Leon Payne) (Aug 4 1950) - radio performance (Mercury 314 536 077-2 - Track 20 on Disc 9)
THEY'LL NEVER TAKE HER LOVE FROM ME #3 (Leon Payne) (Aug 12 1950) - from the AFRS Opry Show #139 (MGM 15019) - Track 6 on Disc 10 of "The Complete Hank Williams"
THEY'LL NEVER TAKE HER LOVE FROM ME #4 (Leon Payne) (1951) - from Mother's Best Flour transcriptions #5-A1 (Time-Life 24922-D) - Track 11 on Disc 1
THIRTY PIECES OF SILVER (McLeod) (1951) - from Mother's Best Flour transcriptions #8-A2 (Time-Life 24587), (Time-Life 24922-D) Track 10 on Disc 2
THY BURDENS ARE GREATER THAN MINE #1 (Pee Wee King/Redd Stewart) (Oct 1949) - from the Health & Happiness Show No.8
THY BURDENS ARE GREATER THAN MINE #2 (Pee Wee King/Redd Stewart) (Ca. 1951) - demo, Nashville - vocal & guitar (MGM 12185) - Track 7 on Disc 8 of "The Complete Hank Williams"
THY BURDENS ARE GREATER THAN MINE #2 (Pee Wee King/Redd Stewart) (Ca. 1951) - (as above, but with additional instr. overdubbed - stereo)
THY BURDENS ARE GREATER THAN MINE #3 (Pee Wee King/Redd Stewart) (1951) - from Mother's Best Flour transcriptions #7-B1 (Time-Life 80023-D) - Track 11, (Time-Life 80027-D) - Track 6 on Disc 3
TIME HAS PROVEN I WAS WRONG (Hank Williams/Mel Foree/Curley Williams) (Fall 1948) - demo or radio performance, Shreveport - with Curley Williams (Mercury 314 536 077-2 - Track 21 on Disc 7)
TOO MANY PARTIES AND TOO MANY PALS (Billy Rose/Mort Dixon/Ray Henderson) (Jan 10 1950) - studio recording - issued as "Luke the Drifter" (MGM 10718) - Track 1 on Disc 3 of "The Complete Hank Williams"
TOO MANY PARTIES AND TOO MANY PALS (Billy Rose/Mort Dixon/Ray Henderson) (Jan 10 1950) - (as above, but with additional instr. overdubbed - stereo)
TRAMP ON THE STREET, A #2 (Grady Cole/Hazel Cole) (Oct 1949) - from the Health and Happiness Show No.2 (MGM E-4109) - Track 19 on Disc 10 of "The Complete Hank Williams"
TRAMP ON THE STREET, A #2 (Grady Cole/Hazel Cole) (Oct 1949) - (as above, but with additional instr. overdubbed - stereo)
WAIT FOR THE LIGHT TO SHINE #1 (Fred Rose) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 6 on Disc 7)
WAIT FOR THE LIGHT TO SHINE #1 (Fred Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed, but without intro)
WAIT FOR THE LIGHT TO SHINE #1 (Fred Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
WAIT FOR THE LIGHT TO SHINE #3 (Fred Rose) (1951) - from Mother's Best Flour transcriptions #7-B2 (Time-Life 80024-D), (Time-Life 80027-D) - Track 16 on Disc 3
WALTZ OF THE WIND, The (Fred Rose) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12535) - Track 6 on Disc 6 of "The Complete Hank Williams"
WALTZ OF THE WIND, The (Fred Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
WE LIVE IN TWO DIFFERENT WORLDS (Fred Rose) (Jan/May 1949 - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 7 on Disc 7)
WE LIVE IN TWO DIFFERENT WORLDS (Fred Rose) (Jan/May 1949) - (as above, but with additional instr. overdubbed)
WE LIVE IN TWO DIFFERENT WORLDS (Fred Rose) (Jan/May 1949) - (as above, but with additional instr. incl. piano overdubbed - stereo)
WE'RE GETTING CLOSER TO THE GRAVE EACH DAY #1 (Hank Williams) (Spring 1949) - demo - with band (Mercury 314 536 077-2 - Track 12 on Disc 5)
WE'RE GETTING CLOSER TO THE GRAVE EACH DAY #1 (Hank Williams) (Spring 1949) - (as above, but with additional instr. overdubbed with The Drifting Cowboys in 1953)
WE'RE GETTING CLOSER TO THE GRAVE EACH DAY #2 (Hank Williams) (Ca. 1949) - demo, Nashville - vocal & guitar (Polydor 825 557-1 Y-2 - track C5) - Track 19 on Disc 8 of "The Complete Hank Williams"
WEALTH WON'T SAVE YOUR SOUL #1 (Hank Williams) (Dec. 1946) - demo - vocal & guitar (CMF-007 - track B3) - Track 16 on Disc 5 of "The Complete Hank Williams"
WEALTH WON'T SAVE YOUR SOUL #2 (Hank Williams) (Dec 11 1946) - studio recording (Sterling 204) - Track 3 on Disc 1 of "The Complete Hank Williams"
WEALTH WON'T SAVE YOUR SOUL #2 (Hank Williams) (Dec 11 1946) - (as above, but with additional instr. overdubbed - stereo)
WEARING OUT YOUR WALKING SHOES #1 (Hank Williams) (Ca. 1950) - demo, Nashville - vocal & guitar (Polydor 833 752) - Track 6 on Disc 9 of "The Complete Hank Williams"
WEARING OUT YOUR WALKING SHOES #2 (Hank Williams) (Ca. 1950) - demo - overdub version with diff. lyrics (MGM E/SE-3955)
WEARY BLUES FROM WAITIN' (Hank Williams) (Ca. 1951) - demo, Nashville - vocal & guitar (Polydor 825 551-1 Y-2 - track D2) - Track 11 on Disc 9 of "The Complete Hank Williams"
WEARY BLUES FROM WAITIN' (Hank Williams) (Ca. 1951) - (as above, but with additional instr. overdubbed with The Drifting Cowboys in 1953)
WEARY BLUES FROM WAITIN' (Hank Williams) (Ca. 1951) - (as above, but with additional instr. overdubbed - stereo)
WEDDING BELLS #1 (Claude Boone) (Mar 20 1949) - studio recording (MGM 10401) - Track 14 on Disc 2 of "The Complete Hank Williams"
WEDDING BELLS #1 (Claude Boone) (Mar 20 1949) - (as above, but with additional instr. overdubbed - stereo)
WEDDING BELLS #1 (Claude Boone) (Mar 20 1949) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
WEDDING BELLS #2 (Claude Boone) (Jun 18 1949) - from the AFRS Opry Show #80 (Mercury 546 466-2 - Track 2 on Disc 1)
WEDDING BELLS #3 (Claude Boone) (Oct 1949) - from the Health & Happiness Show No.1
WEDDING BELLS #4 (Claude Boone) (Oct 1949) - from the Health & Happiness Show No.7
WEDDING BELLS #5 (Claude Boone) (1951) - from Mother's Best Flour transcriptions #6-B1 (Time-Life 80024-D) - Track 9 on Disc 3
WEDDING BELLS #6 (Claude Boone) - from the AFRS Show
WHEN GOD COMES AND GATHERS HIS JEWELS #1 (Hank Williams) (Dec 11 1946) - studio recording (Sterling 204) - Track 4 on Disc 1 of "The Complete Hank Williams"
WHEN GOD COMES AND GATHERS HIS JEWELS #1 (Hank Williams) (Dec 11 1946) - (as above, but with additional instr. overdubbed - stereo)
WHEN GOD COMES AND GATHERS HIS JEWELS #2 (Hank Williams) (Oct 1949) - from the Health & Happiness Show No.3
WHEN GOD DIPS HIS LOVE IN MY HEART #1 (Cleavant Derricks) (Dec., 1950) - from the March Of Dimes Show - with band (Polydor 825 551-1 Y-2 - track D5) - Track 19 on Disc 9 of "The Complete Hank Williams"
WHEN GOD DIPS HIS LOVE IN MY HEART #3 (Cleavant Derricks) (1951) - from Mother's Best Flour transcriptions #4-B1 (Time-Life 80024-D), (Time-Life 80027-D) - Track 5 on Disc 3
WHEN THE BOOK OF LIFE IS READ (Hank Williams) (Ca. 1951) - demo, Nashville - vocal & guitar (Polydor 825 557-1 Y-2 - track B3) - Track 7 on Disc 9 of "The Complete Hank Williams"
WHEN THE BOOK OF LIFE IS READ (Hank Williams) (Ca. 1951) - (as above, but with additional instr. overdubbed - stereo)
WHEN THE FIRE COMES DOWN FROM HEAVEN (M. Estes/J. W. Fowler/T. Harrell/P. Kinsey) (1951) - from Mother's Best Flour transcriptions #9-B2 (Time-Life 80026-D) - Track 17 on Disc 2
WHEN THE SAINTS GO MARCHING IN (Traditional) (1951) - from Mother's Best Flour transcriptions #156 (Time-Life 80023-D) - Track 14, (Time-Life 80024-D), (Time-Life 80027-D) - Track 7 on Disc 3, (Reader's Digest) - Disc 4
WHEN YOU'RE TIRED OF BREAKING OTHER'S HEARTS (Hank Williams/Curley Williams) (Aug 1948 - May 1949) - demo or radio performance, Shreveport - vocal & guitar (MGM E-3955) - Track 23 on Disc 7 of "The Complete Hank Williams"
WHEN YOU'RE TIRED OF BREAKING OTHER'S HEARTS (Hank Williams/Curley Williams) (Aug 1948 - May 1949) - (as above, but with additional instr. overdubbed)
WHERE HE LEADS ME, I WILL FOLLOW (Ernest W. Blady/John Norris) (1951) - from Mother's Best Flour transcriptions #12-A1 (Time-Life 80024-D), (Time-Life 80026-D) - Track 5 on Disc 2
WHERE THE OLD RED RIVER FLOWS #3 (Jimmie Davis) (1951) - from Mother's Best Flour transcriptions #12-A1 (Time-Life 24922-D) Track 3 on Disc 3
WHERE THE SOUL OF MAN NEVER DIES #1 (Wayne Raney o.b.o. William M. Golden) (Oct 1949) - from the Health and Happiness Show No.1 - with Audrey Williams (MGM E-3999) - Track 22 on Disc 10 of "The Complete Hank Williams"
WHERE THE SOUL OF MAN NEVER DIES #4 (Wayne Raney o.b.o. William M. Golden) (1951) - from Mother's Best Flour transcriptions #10-A1 (Time-Life 80027-D) - Track 12 on Disc 3
WHY DON'T YOU LOVE ME #1 (Hank Williams) (Jan 9 1950) - studio recording (MGM 10696) - Track 22 on Disc 2 of "The Complete Hank Williams"
WHY DON'T YOU LOVE ME #1 (Hank Williams) (Jan 9 1950) - (as above, but with additional instr. overdubbed - stereo)
WHY DON'T YOU LOVE ME #1 (Hank Williams) (Jan 9 1950) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
WHY DON'T YOU LOVE ME #2 (Hank Williams) (Jun 10 1950) - from the AFRS Opry Show (Mercury 314 536 077-2 - Track 8 on Disc 10)
WHY DON'T YOU LOVE ME #3 (Hank Williams) (Aug 12 1950) - from the AFRS Opry Show #139
WHY DON'T YOU LOVE ME #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #6-B2 (Time-Life 24922-D) Track 7 on Disc 1
WHY SHOULD I CRY (Hank Williams) (1947 - 1948) - demo - vocal & guitar (CMF-007 - track A2) - Track 7 on Disc 5 of "The Complete Hank Williams"
WHY SHOULD WE TRY ANYMORE #1 (Hank Williams) (Jan 9 1950) - studio recording (MGM 10760) - Track 23 on Disc 2 of "The Complete Hank Williams"
WHY SHOULD WE TRY ANYMORE #1 (Hank Williams) (Jan 9 1950) - (as above, but with additional instr. overdubbed - stereo)
WHY SHOULD WE TRY ANYMORE #1 (Hank Williams) (Jan 9 1950) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
WHY SHOULD WE TRY ANYMORE #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions (Feb. 21, 1951) (Time-Life 80026-D) - Track 14 on Disc 2
WILD SIDE OF LIFE (Arlie A. Carter/William Warren) (Apr 1952) - radio performance (Mercury 314 536 077-2 - Track 24 on Disc 9)
WINDOW SHOPPING #1 (Marcel Joseph) (Jun 13 1952) - studio recording (MGM 11283) - Track 10 on Disc 4 of "The Complete Hank Williams"
WINDOW SHOPPING #1 (Marcel Joseph) (Jun 13 1952) - (as above, but with additional instr. overdubbed - stereo)
WINDOW SHOPPING #1 (Marcel Joseph) (Jun 13 1952) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
WINDOW SHOPPING #2 (Marcel Joseph) - from Grand Ole Opry Show (Mercury 546 466-2 - Track 20 on Disc 1)
WITH TEARS IN MY EYES (Paul Howard) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (MGM 12484) - Track 16 on Disc 6 of "The Complete Hank Williams"
WITH TEARS IN MY EYES (Paul Howard) (Jan/May 1949) - (as above, but with additional instr. overdubbed - stereo)
WON'T YOU SOMETIMES THINK OF ME (Hank Williams) (1947 - 1948) - demo - vocal & guitar (CMF-007 - track A1) - Track 6 on Disc 5 of "The Complete Hank Williams"
YOU BETTER KEEP IT ON YOUR MIND (Hank Williams/Vic McAlpin) (Ca. 1952) - demo, Nashville - with Hank Snow (CMF-006 - track A3) - Track 3 on Disc 8 of "The Complete Hank Williams"
YOU BETTER KEEP IT ON YOUR MIND (Hank Williams/Vic McAlpin) (Ca. 1952) - (as above, but with additional instr. overdubbed with The Drifting Cowboys in 1953)
YOU BLOTTED MY HAPPY SCHOOLDAYS (L. Fields/L. Messer) (1951) - from Mother's Best Flour transcriptions #151 (Time-Life 80027-D) - Track 11 on Disc 3
YOU BROKE YOUR OWN HEART #1 (Hank Williams) - demo - vocal & guitar (CMF-007 - track A4)
YOU BROKE YOUR OWN HEART #2 (Hank Williams) (1947) - demo - with band (Mercury 314 536 077-2 - Track 19 on Disc 5)
YOU CAUSED IT ALL BY TELLING LIES (Clyde Moody) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport - vocal & guitar (Mercury 314 536 077-2 - Track 1 on Disc 6)
YOU WIN AGAIN (Hank Williams) (Jul 11 1952) - studio recording (MGM 11318) - Track 14 on Disc 4 of "The Complete Hank Williams"
YOU WIN AGAIN (Hank Williams) (Jul 11 1952) - (as above, but with additional instr. overdubbed - stereo)
YOU WIN AGAIN (Hank Williams) (Jul 11 1952) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
YOUR CHEATIN' HEART #1 (Hank Williams) (Ca. 1952) - demo, Nashville - vocal & guitar (CMF-006 - track A5) - Track 2 on Disc 8 of "The Complete Hank Williams"
YOUR CHEATIN' HEART #2 (Hank Williams) (Sep 23 1952) - studio recording (MGM 11416) - Track 19 on Disc 4 of "The Complete Hank Williams"
YOUR CHEATIN' HEART #2 (Hank Williams) (Sep 23 1952) - (as above, but with additional instr. overdubbed - stereo)
YOUR CHEATIN' HEART #2 (Hank Williams) (Jan/May 1949) - (as above, but with additional instr., string section & chorus overdubbed - stereo)
YOU'RE GONNA CHANGE (OR I'M GONNA LEAVE) #1 (Hank Williams) (Mar 1 or 2 1949) - studio recording (MGM 10506) - Track 12 on Disc 2 of "The Complete Hank Williams"
YOU'RE GONNA CHANGE (OR I'M GONNA LEAVE) #1(Hank Williams) (Mar 1 or 2 1949) - (as above, but with additional instr. overdubbed - stereo)
YOU'RE GONNA CHANGE (OR I'M GONNA LEAVE) #2 (Hank Williams) (Oct 1949) - from the Health & Happiness Show No.2
YOU'RE GONNA CHANGE (OR I'M GONNA LEAVE) #3 (Hank Williams) (Nov 12 1949) - from the AFRS Opry Show #103 (MGM 15019) - Track 3 on Disc 10 of "The Complete Hank Williams"
NOTE: Several of the additional instr. overdubbs was released both as mono & true stereo.
Specially thanks to ALEX FISHER
DUBBED RECORDINGS OF SPECIAL INTEREST:
HONKY TONK BLUES (Hank Williams) (Dec 11 1951) - studio recording (as above, but overdubbed with Hank Williams, Jr. & Hank Williams III)
I TOLD A LIE TO MY HEART (Hank Williams) (1947 - 1948) - demo - vocal & guitar (as above, but overdubbed with Willie Nelson)
I WON'T BE HOME NO MORE (Hank Williams) (Jul 11 1952) - studio recording (as above, but overdubbed with Hank Williams, Jr. & Hank Williams III)
I'M A LONG GONE DADDY (Hank Williams) (Nov 6 1947) - studio recording (as above, but overdubbed with Hank Williams, Jr. & Hank Williams III)
I'LL NEVER GET OUT OF THIS WORLD ALIVE (Hank Williams/Fred Rose) (Jun 13 1952) - studio recording (as above, but overdubbed with Hank Williams, Jr. & Hank Williams III)
MEN WITH BROKEN HEARTS (Hank Williams) (Dec 21 1950) - studio recording (as above, but overdubbed with Hank Williams, Jr. & Hank Williams III)
MOANIN' THE BLUES (Hank Williams) (Aug 31 1950) - studio recording (as above, but overdubbed with Hank Williams III)
MOVE IT ON OVER (Hank Williams) (Apr 21 1947) - studio recording (as above, but overdubbed with Hank Williams, Jr. & Hank Williams III)
THERE'S A TEAR IN MY BEER (Hank Williams) (Oct 25 1951) - demo, Nashville - vocal & guitar (as above, but overdubbed with Hank Williams, Jr.)
WHERE THE SOUL OF MAN NEVER DIES (Wayne Raney o.b.o. William M. Golden) (Oct 1949) - from the Health and Happiness Show No.1 - with Audrey Williams (as above, but overdubbed with Hank Williams, Jr. & Hank Williams III)
DUBBED BOOTLEGS OF SPECIAL INTEREST:
The Mother's Best transcriptions was first acquired by Les Leverett, who sold them to Hillous Butrum in 1982. He dubbed and re-mixed many of the songs. In 1997 he sold the accetates and the dubbed/re-mixed material to Legacy Entertainment Group, LLC . The following 40 songs may be from this deal, and was released on 2 bootleg CD's (superb sound quality in stereo) after Legacy lost the court battle against the Hank Williams Estate:
ALABAMA WALTZ, The #2d (Hank Williams) (1951) - from Mother's Best Flour transcriptions #1-B2
BEAUTIFUL HOME #d (1951) - from Mother's Best Flour transcriptions #14-A2
CALIFORNIA ZEPHYR #2d (Hank Williams) (1951) - from Mother's Best Flour transcriptions #13-A2
DECK OF CARDS #d (1951) - from Mother's Best Flour transcriptions #9-A1
FARTHER ALONG #1d (Rev. W. B. Stevens) (1951) - from Mother's Best Flour transcriptions #7-A2
GREAT JUDGEMENT MORNING, THE #d (Rev. Bert Shaddock/L. L. Pickett) (1951) - from Mother's Best Flour transcriptions #14-B1
I CAN'T TELL MY HEART THAT #d (Jim & Jack Anglin/Johnnie Wright) (1951) - from Mother's Best Flour transcriptions #13-B2
JUST WHEN I NEEDED YOU #1d (Clyde Baum/Jack Anglin/Johnnie Wright) (1951) - from Mother's Best Flour transcriptions #7-A2
LONELY TOMBS #xd (John Ellis) (1951) - from Mother's Best Flour transcriptions #5-A2, #158 or Feb. 22, 1951
NEXT SUNDAY, DARLING, IS MY BIRTHDAY #d (S. Nathan/A. Smith) (1951) - from Mother's Best Flour transcriptions #9-A1
OLD COUNTRY CHURCH, The #1d (W.S.Stevenson o.b.o. John Whitfield Vaughn) - from Mother's Best Flour transcriptions #10-B2
PINS AND NEEDLES (IN MY HEART) #d (Floyd D. Jenkins a.k.a. Fred Rose) (1951) - from Mother's Best Flour transcriptions #4-A2
SEAMAN'S BLUES, The #d (Ernest Tubb/Talmadge Tubb) (1951) - from Mother's Best Flour transcriptions #3-A2
TENNESSEE BORDER #2d (Jimmie Work) (1951) - from Mother's Best Flour transcriptions #9-A2
WHEN GOD DIPS HIS LOVE IN MY HEART #xd (Cleavant Derricks) (1951) - from Mother's Best Flour transcriptions #1-A1, 4-B1 or 6-A2
AT THE CROSS #d (1951) - from Mother's Best Flour transcriptions #11-A2
BLIND CHILD'S PRAYER, The #d (Ida B. Mercer) (1951) - from Mother's Best Flour transcriptions #1-A1
BLUE EYES CRYING IN THE RAIN #1d (Fred Rose) (1951) - from Mother's Best Flour transcriptions #3-B1
CHEROKEE BOOGIE #d (Moon Mullican/Chief William Redbird) (1951) - from Mother's Best Flour transcriptions #14-A2
DRIFTING TOO FAR FROM THE SHORE #1d (Charles Moody) (1951) - from Mother's Best Flour transcriptions #10-A2
FROM JERUSALEM TO JERICHO #d (W. M. Robison) (1951) - from Mother's Best Flour transcriptions #14-A1
I HANG MY HEAD AND CRY #d (Fred Rose/Gene Autry/Ray Whitley) (1951) - from Mother's Best Flour transcriptions #11-A2
I HEARD MY SAVIOR CALLING ME #xd (Johnnie Bailes/Z. Clements/M. D. Wright) (1951) - from Mother's Best Flour transcriptions #7-A1 or #11-B1
IF I DIDN'T LOVE YOU #d (Hank Williams) (1951) - from Mother's Best Flour transcriptions #12-A2 - with recitation by Louie Buck
I'LL SAIL MY SHIP ALONE #d (Henry Bernard/Morry Burns/S. Nathan/Henry Thurston) (1951) - from Mother's Best Flour transcriptions #14-B2
I'M BOUND FOR THE PROMISED LAND #d (1951) - from Mother's Best Flour transcriptions #13-B1
I'VE GOT MY ONE WAY TICKET TO THE SKY #d (Johnnie Bailes/Walter Bailes) (1951) - from Mother's Best Flour transcriptions #13-A1
LORD, BUILD ME A CABIN IN THE CORNER OF GLORYLAND #d (1951) - from Mother's Best Flour transcriptions #1-B2
LOW AND LONELY #d (Floyd D. Jenkins a.k.a. Fred Rose) (1951) - from Mother's Best Flour transcriptions #11-B2
ON TOP OF OLD SMOKY #d (Traditional) (1951) - from Mother's Best Flour transcriptions #8-B1
PRECIOUS LORD, TAKE MY HAND #d (Rev. Thomas A. Dorsey) (1951) - from Mother's Best Flour transcriptions #13-B2
PRODIGAL SON, THE #3d (Floyd D. Jenkins a.k.a. Fred Rose) (1951) - from Mother's Best Flour transcriptions #8-B1
SEARCHING FOR A SOLDIER'S GRAVE #d (Roy Acuff) (1951) - from Mother's Best Flour transcriptions #12-B2
SOFTLY AND TENDERLY #d (Will L. Thompson) (1951) - from Mother's Best Flour transcriptions #13-A2
THERE'S NOTHING AS SWEET AS MY BABY #2d (Hank Williams) (1951) - from Mother's Best Flour transcriptions #7-B2
THIRTY PIECES OF SILVER #d (1951) - from Mother's Best Flour transcriptions #8-A2
WHEN THE FIRE COMES DOWN FROM HEAVEN #d (M. Estes/J. W. Fowler/T. Harrell/P. Kinsey) (1951) - from Mother's Best Flour transcriptions #9-B2
WHERE HE LEADS ME, I WILL FOLLOW #d (Ernest W. Blady/John Norris) (1951) - from Mother's Best Flour transcriptions #12-A1
WHERE THE OLD RED RIVER FLOWS #2d (1951) - from Mother's Best Flour transcriptions #8-A2
BOOTLEG OF SPECIAL INTEREST:
HALF AS MUCH #4 (Curley Williams) (Jul 13 1952) - Sunset Park, PA
HEY, GOOD LOOKIN' #8 (Hank Williams) (Jul 13 1952) - Sunset Park, PA
(I HEARD THAT) LONESOME WHISTLE #5 (Hank Williams/Jimmie Davis) (Jul 13 1952) - Sunset Park, PA
I SAW THE LIGHT #7 (Hank Williams) (Jul 13 1952) - Sunset Park, PA
JAMBALAYA (ON THE BAYOU) #4 (Hank Williams) (Jul 13 1952) - Sunset Park, PA
LONG GONE LONESOME BLUES #6 (Hank Williams) (Jul 13 1952) - Sunset Park, PA
LOVESICK BLUES #80 (Cliff Friend/Irving Mills) (Jul 13 1952) - Sunset Park, PA
HANK WILLIAMS' UNRELEASED RECORDINGS/SONGS:
BABY WE'RE REALLY IN LOVE #1 (Hank Williams) (Jul 25 1951) - studio recording, lost
COLD, COLD HEART #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #10
DEAR BROTHER #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #4 - with Audrey Williams
FADED LOVE AND WINTER ROSES #3 (Fred Rose) (1951) - from Mother's Best Flour transcriptions (Feb. 13, 1951)
GLORY BOUND TRAIN (Roy Zimmerman) (Apr 23 1952) - with Opry Cast Ensemble - from the Kate Smith Evening Hour #2 (TV)
HALF AS MUCH #2 (Curley Williams) (Sep 15 1951) - from WSM Radio show promoting the opening of Hank & Audrey's Corral in Nashville
I CAN'T HELP IT (IF I'M STILL IN LOVE WITH YOU) #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #10
JAMBALAYA (ON THE BAYOU) #4 (Hank Williams) (Jul 13 1952) - Sunset Park, PA
LAST LETTER, THE (?) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
NOTE: The LOVESICK BLUES intro's (23-25 seconds long) are all recorded as part of the daily show and are different in one way or another.
MANSION ON THE HILL, A #3 (Hank Williams/Fred Rose) - from the Pops-Rite Popcorn Show
NOBODY'S LONESOME FOR ME #5 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #2
OLD HOME, The - a (Jackie Earls) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, master lost - vocal & guitar
PRODIGAL SON, The - a (Floyd D. Jenkins a.k.a. Fred Rose) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, master lost - vocal & guitar
ROCKIN' ALONE IN AN OLD ROCKIN' CHAIR #1 (Bob Miller) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
SALLY GOODIN' (1951) - from Mother's Best Flour transcriptions #5 - the band, Hank & Louie Buck (vcl.)
TRAMP ON THE STREET, A #1 (Grady Cole/Hazel Cole) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, master lost - vocal & guitar
WAIT FOR THE LIGHT TO SHINE #2 (Fred Rose) (1951) - from Mother's Best Flour transcriptions #5
BENEATH THAT LONELY MOUND OF CLAY (Roy Acuff) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
BLUE EYES CRYING IN THE RAIN #2 (Fred Rose) - contains an extra verse - no details
COLD, COLD HEART #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #15
COLD, COLD HEART #6 (Hank Williams) (May 05 1951) - from the AFRS Opry Show
COLD, COLD HEART #9 (Hank Williams) (Apr 23 1952) - from the Kate Smith Evening Hour #2 (TV)
CRYING MYSELF TO SLEEP (?) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
DEAR BROTHER #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #6 - with Audrey Williams
DEAR JOHN #4 (Aubry Gass) (1951) - from Mother's Best Flour transcriptions #6
DEAR JOHN #5 (Aubry Gass) (1951) - from Mother's Best Flour transcriptions #15
DEVIL'S TRAIN, The - a (Mel Foree/Cliff Carlisle) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, lost - vocal & guitar
FARTHER ALONG #3 (Rev. W. B. Stevens) - from Grand Ole Opry Show
HALF AS MUCH #4 (Curley Williams) (Jul 13 1952) - Sunset Park, PA
HEY, GOOD LOOKIN' #4 (Hank Williams) (1951) - from Aunt Jemima's Pancake Mix radio show #2 (feat. Minnie Pearl)
HEY, GOOD LOOKIN' #6 (Hank Williams) (Nov 14 1951) - from the Perry Como CBS TV Show, New York - vocal & guitar
HEY, GOOD LOOKIN' #7 (Hank Williams) (Mar 26 1952) - from the Kate Smith Evening Hour #1 (TV)
HEY, GOOD LOOKIN' #8 (Hank Williams) (Jul 13 1952) - Sunset Park, PA
HONKY TONK BLUES #1 (Hank Williams) (Aug 4 1947) - studio recording, lost
HONKY TONK BLUES #4 (Hank Williams) (Jun 14 1950) - studio recording, lost
HONKY TONK BLUES #5 (Hank Williams) (Sep 15 1951) - from WSM Radio show promoting the opening of Hank & Audrey's Corral in Nashville
I CAN'T HELP IT (IF I'M STILL IN LOVE WITH YOU) #5 (Hank Williams) (1951) - from Aunt Jemima's Pancake Mix radio show #2 (feat. Minnie Pearl)
I DREAMED ABOUT MAMA LAST NIGHT #2 (Fred Rose) (1951) - from Mother's Best Flour transcriptions #11
I DREAMED ABOUT MAMA LAST NIGHT #4 (Fred Rose) (1951) - from Mother's Best Flour transcriptions #146
I HEARD MY MOTHER PRAYING FOR ME #2 (Audrey Williams) (1951) - from Mother's Best Flour transcriptions #2 - with Audrey Williams
I HEARD MY MOTHER PRAYING FOR ME #3 (Audrey Williams) (1951) - from Mother's Best Flour transcriptions #4 - with Audrey Williams
I HEARD MY MOTHER PRAYING FOR ME #4 (Audrey Williams) (1951) - from Mother's Best Flour transcriptions (Feb. 23, 1951) - with Audrey Williams
I HEARD MY SAVIOR CALLING ME #1 (Johnnie Bailes/Z. Clements/M. D. Wright) (1951) - from Mother's Best Flour transcriptions #7
(I HEARD THAT) LONESOME WHISTLE #3 (Hank Williams/Jimmie Davis) (1951) - from Mother's Best Flour transcriptions #14
(I HEARD THAT) LONESOME WHISTLE #4 (Hank Williams/Jimmie Davis) (Sep 15 1951) - from WSM Radio show promoting the opening of Hank & Audrey's Corral in Nashville
(I HEARD THAT) LONESOME WHISTLE #5 (Hank Williams/Jimmie Davis) (Jul 13 1952) - Sunset Park, PA
I JUST DON'T LIKE THIS KIND OF LIVIN' #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #12
I SAW THE LIGHT #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #3-A1
I SAW THE LIGHT #5 (Hank Williams) (1951) - from Mother's Best Flour transcriptions (Feb. 13, 1951)
I SAW THE LIGHT #6 (Hank Williams) (Mar 26 1952) - with Opry Cast Ensemble - from the Kate Smith Evening Hour #1 (TV)
I SAW THE LIGHT #7 (Hank Williams) (Jul 13 1952) - Sunset Park, PA
I WAS SEEING NELLIE HOME (?) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
I'LL BE TRUE TO THE ONE THAT I LOVE (?) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
I'LL FLY AWAY #1 (Albert E. Brumley) (1951) - from Mother's Best Flour transcriptions #10-B1
I'LL HAVE A NEW BODY (I'LL HAVE A NEW LIFE) #2 (Luther G. Presley) (1951) - from Mother's Best Flour transcriptions #1
I'LL HAVE A NEW BODY (I'LL HAVE A NEW LIFE) #3 (Luther G. Presley) (1951) - from Mother's Best Flour transcriptions #2
I'LL HAVE A NEW BODY (I'LL HAVE A NEW LIFE) #4 (Luther G. Presley) (1951) - from Mother's Best Flour transcriptions #8
I'LL HAVE A NEW BODY (I'LL HAVE A NEW LIFE) #6 (Luther G. Presley) (1951) - from Mother's Best Flour transcriptions (Feb. 12, 1951)
I'LL HAVE A NEW BODY (I'LL HAVE A NEW LIFE) #7 (Traditional) (1951) - from Mother's Best Flour transcriptions (undated & unnumbered)
I'LL NEVER CRY OVER YOU (?) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
(I'M GONNA) SING, SING, SING #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #157
I'M SORRY FOR YOU, MY FRIEND #1 (Hank Williams) (Aug 10 1951) - studio recording, lost
JAMBALAYA (ON THE BAYOU) #5 (Hank Williams) (late 1952) - from radio performance from the Louisiana Hayride
JESUS REMEMBERED ME #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #5 - with Audrey Williams
JUST WAITIN' #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #9
JUST WHEN I NEEDED YOU #1 (Clyde Baum/Jack Anglin/Johnnie Wright) (1951) - from Mother's Best Flour transcriptions #7
LITTLE ROSEWOOD CASKET (instr.) (Public Domain) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
LONELY TOMBS #1 (John Ellis) (1951) - from Mother's Best Flour transcriptions #5
LONESOME VALLEY (?) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
LONG GONE LONESOME BLUES #6 (Hank Williams) (Jul 13 1952) - Sunset Park, PA
LOVESICK BLUES #2 (Cliff Friend/Irving Mills) (Jun 11 1949) - from Grand Ole Opry
LOVESICK BLUES #6 (Cliff Friend/Irving Mills) (Nov 16 1949) - from the AFRS Opry Show in Europe (Frankfurt, Germany)
LOVESICK BLUES #9 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #01 A1
LOVESICK BLUES #10 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #01 A2
LOVESICK BLUES #11 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #01 B1
LOVESICK BLUES #12 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #01 B2
LOVESICK BLUES #14 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #02 A2
LOVESICK BLUES #15 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #02 B1
LOVESICK BLUES #16 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #02 B2
LOVESICK BLUES #17 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #03 A1
LOVESICK BLUES #18 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #03 A2
LOVESICK BLUES #19 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #03 B1
LOVESICK BLUES #20 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #03 B2
LOVESICK BLUES #21 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #04 A1
LOVESICK BLUES #22 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #04 A2
LOVESICK BLUES #23 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #04 B1
LOVESICK BLUES #24 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #04 B2
LOVESICK BLUES #25 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #05 A1
LOVESICK BLUES #26 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #05 A2
LOVESICK BLUES #27 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #05 B1
LOVESICK BLUES #28 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #05 B2
LOVESICK BLUES #29 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #06 A1
LOVESICK BLUES #30 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #06 A2
LOVESICK BLUES #31 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #06 B1
LOVESICK BLUES #32 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #06 B2
LOVESICK BLUES #33 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #07 A1
LOVESICK BLUES #34 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #07 A2
LOVESICK BLUES #35 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #07 B1
LOVESICK BLUES #36 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #07 B2
LOVESICK BLUES #37 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #08 A1
LOVESICK BLUES #38 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #08 A2
LOVESICK BLUES #40 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #08 B2
LOVESICK BLUES #41 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #09 A1
LOVESICK BLUES #42 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #09 A2
LOVESICK BLUES #43 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #09 B1
LOVESICK BLUES #44 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #09 B2
LOVESICK BLUES #45 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #10 A1
LOVESICK BLUES #46 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #10 A2
LOVESICK BLUES #47 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #10 B1
LOVESICK BLUES #48 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #10 B2
LOVESICK BLUES #49 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #11 A1
LOVESICK BLUES #50 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #11 A2
LOVESICK BLUES #52 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #11 B2
LOVESICK BLUES #53 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #12 A1
LOVESICK BLUES #54 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #12 A2
LOVESICK BLUES #55 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #12 B1
LOVESICK BLUES #56 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #12 B2
LOVESICK BLUES #57 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #13 A1
LOVESICK BLUES #58 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #13 A2
LOVESICK BLUES #59 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #13 B1
LOVESICK BLUES #60 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #13 B2
LOVESICK BLUES #61 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #14 A1
LOVESICK BLUES #62 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #14 A2
LOVESICK BLUES #63 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #14 B1
LOVESICK BLUES #64 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #15 A1
LOVESICK BLUES #66 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #15 A2
LOVESICK BLUES #67 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #146
LOVESICK BLUES #70 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #151
LOVESICK BLUES #72 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #157
LOVESICK BLUES #73 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions #158
LOVESICK BLUES #74 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions Feb. 12, 1951
LOVESICK BLUES #75 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions Feb. 13, 1951
LOVESICK BLUES #76 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions Feb. 21, 1951
LOVESICK BLUES #77 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions Feb. 22, 1951
LOVESICK BLUES #78 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions Feb. 23, 1951
LOVESICK BLUES #79 (partly as intro) (Cliff Friend/Irving Mills) - from Mother's Best Flour transcriptions - undated & unnumbered
LOVESICK BLUES #80 (Cliff Friend/Irving Mills) (Sep 15 1951) - from WSM Radio show promoting the opening of Hank & Audrey's Corral in Nashville
LOVESICK BLUES #81 (Cliff Friend/Irving Mills) (Jul 13 1952) - Sunset Park, PA
MAY YOU NEVER BE ALONE #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #8
MIND YOUR OWN BUSINESS #2 (Hank Williams) (Jun 11 1949) - from Grand Ole Opry
MOANIN' THE BLUES #5 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #1
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #1
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #2
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #3
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #4
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #5
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #6
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #7
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #8
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #9
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #10
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #11
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #12
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #13
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #14
MOTHER'S BEST THEME SONG - from Mother's Best Flour transcriptions #15
MOVE IT ON OVER #4 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #7
MOVE IT ON OVER #5 (Hank Williams) (1951) - from Mother's Best Flour transcriptions (Feb. 12, 1951)
MY SWEET LOVE AIN'T AROUND #2 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #4
MY SWEET LOVE AIN'T AROUND #3 (Hank Williams) (1951) - from Mother's Best Flour transcriptions #10
NOBODY'S LONESOME FOR ME #6 (Hank Williams) (1951) - from Mother's Best Flour transcriptions - undated & unnumbered
OLD SHEP #1 (Clyde 'Red' Foley) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
OLD SHEP #2 (Clyde 'Red' Foley) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
ROCKIN' ALONE IN AN OLD ROCKIN' CHAIR #2 (Bob Miller) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
ROCKIN' ALONE IN AN OLD ROCKIN' CHAIR #3 (Bob Miller) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
SOMETHING GOT A HOLD OF ME #3 (A.P.Carter) (1951) - from Mother's Best Flour transcriptions #6 - with Audrey Williams
STARS IN HER EYES (a series of songs) (1951) - from Health Dep. Nationwide campaign agains VD
SUNDOWN AND SORROW #1 (Pee Wee King/J.L.Frank) (Jan/May 1949) - demo or radio performance, Shreveport, lost - vocal & guitar
WAIT FOR THE LIGHT TO SHINE #4 (Fred Rose) (1951) - from Mother's Best Flour transcriptions #12
WE PLANTED FLOWERS ON MY DARLING'S GRAVE (Odell McLeod) (Jan/May 1949) - from the Johnny Fair Syrup Radio Show Transcription, Shreveport, master lost - vocal & guitar
WHEN GOD DIPS HIS LOVE IN MY HEART #2 (Cleavant Derricks) (1951) - from Mother's Best Flour transcriptions #1
WHEN GOD DIPS HIS LOVE IN MY HEART #4 (Cleavant Derricks) (1951) - from Mother's Best Flour transcriptions #6
WHERE THE OLD RED RIVER FLOWS #1 (Jimmie Davis) (1951) - from Mother's Best Flour transcriptions #1
WHERE THE OLD RED RIVER FLOWS #2 (Jimmie Davis) (1951) - from Mother's Best Flour transcriptions #8
WHERE THE OLD RED RIVER FLOWS #4 (Jimmie Davis) (Sep 15 1951) - from WSM Radio show promoting the opening of Hank & Audrey's Corral in Nashville
WHERE THE SOUL OF MAN NEVER DIES #2 (Wayne Raney o.b.o. William M. Golden) (1951) - from Mother's Best Flour transcriptions #4 - with Audrey Williams
WHERE THE SOUL OF MAN NEVER DIES #3 (Wayne Raney o.b.o. William M. Golden) (1951) - from Mother's Best Flour transcriptions #6 - with Audrey Williams & the band
WHY DON'T YOU LOVE ME #5 (Hank Williams) (1951) - from Aunt Jemima's Pancake Mix radio show #1
WILL THE CIRCLE BE UNBROKEN (A.P.Carter) (1942 or earlier) - acetate disc cut at William Griffin’s Radio & Shoe Shop, 704, Highland Street in Montgomery, Alabama
SONGS THAT HANK WROTE OR CO-WROTE - BUT NEVER RECORDED:
BAYOU PON-PON (Hank Williams/Jimmie Davis) - recorded by Jimmie Davis, Decca, 1951
COUNTRYFIED (Hank Williams) - recorded by Big Bill Lister, Capitol, 1951
EVENING TRAIN, The (Hank Williams/Audrey Williams) - recorded by Molly O'Day, Columbia, 1949
FOREVER IS A LONG, LONG TIME (Hank Williams/Jimmie Davis) - recorded by Jimmie Davis, Decca, 1951
I LOST THE ONLY LOVE I KNEW (Hank Williams/Don Helms) - recorded by Ray Price, Columbia, 1952
I'M BLUE, I'M LONESOME (Hank Williams/Bill Monroe) - recorded by Bill Monroe, 1950
(I'M PRAYING FOR THE DAY WHEN) PEACE WILL COME (Hank Williams/Pee Wee King) - recorded by Rosco Hankins, Mercury, 1951
I WISH YOU DIDN'T LOVE ME SO MUCH (Hank Williams) - recorded by 'Little' Jimmy Dickens, Columbia, 1951
IF I DIDN'T LOVE YOU (Hank Williams/Fred Rose) - recorded by Rome Johnson, MGM, 1947
LITTLE HOUSE WE BUILT (JUST O'ER THE HILL), The (Hank Williams/Don Helms) - recorded by Big Bill Lister, Capitol, 1951
ME AND MY BROKEN HEART (Hank Williams) - recorded by Carl Smith, Columbia, 1951
NEVER BEEN SO LONESOME (Hank Williams) - recorded by Zeb Turner, King, 1949
ROCKIN' CHAIR DADDY (Hank Williams/Braxton Shooford) - recorded by Braxton Shooford, MGM, 1950
STRANGER IN THE NIGHT, A (Hank Williams/Bill Morgan) - recorded by George Morgan, Columbia, 1951
YOU'RE BARKING UP THE WRONG TREE NOW (Hank Williams/Fred Rose) - recorded by Red Sovine, MGM, 1949
ARE YOU LONELY TOO (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
CAJUN BABY (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
FOR ME THERE IS NO PLACE (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
HOMESICK (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
I JUST DIDN'T HAVE THE HEART TO SAY GOODBYE (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1974
IF THE GOOD LORD'S WILLIN' (AND THE CREEKS DON'T RISE) (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., Curb, 2002
I'M JUST CRYING 'CAUSE I CARE (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
I'M SO TIRED OF IT ALL (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1970
IS THIS GOODBYE (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
JUST ME AND MY BROKEN HEART (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
LITTLE BOSEPHUS (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1973
MY HEART WON'T LET ME GO (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
PRISON OF MEMORIES (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1968
SOMEBODY'S LONESOME (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1968
WHERE DO I GO FROM HERE (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
YOU BROKE YOUR OWN HEART (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
YOU CAN'T TAKE MY MEMORIES OF YOU (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
YOUR TURN TO CRY (Hank Williams/Hank Williams, Jr.) - recorded by Hank Williams, Jr., MGM, 1969
COWBOYS DON'T CRY (Hank Williams/Mickey Newbury) - performed by Waylon Jennings on a television special
HEARTBROKEN FORSAKEN AND ALONE (Hank Williams/Glen Douglass Tubb) - recorded by Jennifer Brantley, Mountain Side, 2009
HOW MANY TIMES HAVE YOU BROKEN MY HEART (Hank Williams/Norah Jones) - recorded by Norah Jones
MANSION FOR YOUR SOUL (Hank Williams/Peter Trenholm) - recorded by Peter Trenholm, PT 126
SERMON ON THE MOUNTAIN (Hank Williams/Peter Trenholm) - recorded by Peter Trenholm, PT 126
Any additions or comments are appreciated.
MORE H.W. ON MY SITE:
 | THE HEALTH AND HAPPINESS SHOWS - ALL DETAILS | | THE MOTHER'S BEST TRANSCRIPTIONS - MORE DETAILS & NEWS | | AUNT JEMIMA'S PANCAKE MIX RADIO SHOWS - MORE DETAILS | | SOME OLD LP COVERS (from my collection) | | MISSION IMPOSSIBLE - help needed - THE TRIBUTE & COVER LISTINGS |
| MORE PHOTOS | | TRIBUTE ALBUMS THAT SHOULD BE AVAILABLE TO BUY | | JUST HANK |
LINKS:
| A Hank Williams Journal | | David Church - Nashville Recording Artist & Songwriter | | Hank Williams Appreciation Society International | | Joey Allcorn - Hank Williams: The Complete Website | | Mike Taylor - Hank Williams Discography |
JOHNNY BOND ON MY SITE:
| JOHNNY BOND - HIS SONGS |
MADDOX BROS. & ROSE:
| MADDOX BROS. & ROSE - THEIR SONGS |
THE STANLEY BROTHERS ON MY SITE:
| THE STANLEY BROTHERS - THEIR SONGS |
DELBERT BARKER ON MY SITE:
| DELBERT BARKER - HIS SONGS |
LUKE GORDON ON MY SITE:
| LUKE GORDON - HIS HANK COVERS |
How about some serious yodling?
Visit MIKE JOHNSON's site:
| MIKE JOHNSON (the man who wrote "Hank Sang Mostly Sad Songs") |
